“Manifestations of discarded, mythological histories that have risen up, unbidden and unwanted, to wreak havoc on characters already caught up in more everyday struggles.” – Quill & Quire review of my new book, Has the World Ended Yet?
(Photo is from the Paris Catacombs, when I was much younger and thinner.)
“Darbyshire (The Warhol Gang) delights in mashing pop-culture genres together, exposing profound truths beneath classic tropes in ways at once hilarious, weird, and heart-breaking.”
(Image via Pixabay)
True story: When I was younger I wanted to be a librarian but I wasn’t smart enough, so I became a writer instead. Writers know their own books but librarians know all the books.
Anyway, I’m in with some good company here. I want to read all these books – and this Tom Hanks fellow may have a future.
I’m thrilled to announce I’ll be taking part in the Trips to the Other World event at the 2017 Vancouver Writers Festival along with Lydia Kwa. Hosted by the always ethereal Sean Cranbury. I expect I’ll be talking about and reading from my new book, Has the World Ended Yet? Here’s the pitch:
Vancouver journalist Peter Darbyshire is also a blogger and author. His collection of 19 linked short stories, Has the World Ended Yet?, starts with retired superheroes living in a soulless suburbia where everyone gets lost trying to get home. Then the angels start to fall from the sky. Darbyshire weaves together superheroes, ghosts, the undead, a hired hitman, the Cold War, the rapture and avenging angels in a Twilight Zone-style collection that is riveting and human. Vancouver psychologist and author Lydia Kwa transports us to seventh-century China, which teems with magic, fox spirits and demons. Singapore-born Kwa updates traditional Chinese mythology to include female empowerment and a wickedly modern sensibility. Fantasy with a modern twist will be on full display this afternoon.
Saturday, Oct. 21
1398 Cartwright St.,
Be there or be in some alternate dimension.
UPDATE: The Heroic Fantasy Quarterly has exceeded its goal, which is great for readers and the writers involved — and the publishers! They’re still raising funds through June, and the more they raise the more the writers involved — like me — get paid in bonuses. So big thanks if you already helped out and/or spread the word!
The good people at Heroic Fantasy Quarterly are running a Kickstarter for their Best Of anthology Vol. 2, which includes my story The Princess Trap — in which a dragon and a captive sheepherder encounter a number of tasty knights. The Kickstarter is trying to generate art for each story, and I’d love to see what they come up with for mine. Check it out and support them if you’re into that sort of thing!
I’m happy to announce that ChiZine, the publisher of my Cross series, will be publishing an omnibus edition of the first three Cross books this coming spring. Which is really just an excuse to show off another supernaturally good cover by Erik Mohr. Bonus content will be one or two Cross short stories, depending on their length when I’ve finished editing them.
The omnibus will be ebook only, because print is dead and we learned our lesson after people reading The Apocalypse Ark in bookstores raised all those ghouls in that hidden graveyard under the Barnes & Noble.
If you like weird westerns or my Angel Azrael gunslinger stories — or both! — then you may be interested in the Beneath Ceaseless Skies 8th Anniversary Sale.
Buy or renew a BCS ebook subscription or buy Best of BCS Year Seven at Weightless Books, and you’ll get a free BCS anthology of your choice — including Ceaseless West, which contains my first ever Angel Azrael tale.
BCS Ebook Subscriptions are still only $15.99 for a whole year/26 issues (that’s less than 30 cents a story). Subscribers can get issues delivered directly to their Kindle or smart phone (any device with an email address), and they get new issues early, a week before the website. You can renew at any time, no matter when your subscription expires.
BCS is one of the best magazines out there and my personal favourite. Check it out and treat yourself!
It’s the very first time I’ve seen all my Cross books together in a bookstore! Thanks, Chapters!
Well, that’s the Sixth Seal broken. On to the next one.
There are all numbers of things fantastic in my third Cross novel, The Apocalypse Ark. There are angels and a crazed Noah, sorcerous pirates and sunken cities, a vampire and a white whale, to name just a few. In one sense, the book is a stand-in for the ark of the title, which in Cross’s universe is not the ship that saved humanity but is instead the storage place for all of God’s misfit creations. There are many such misfits in the book. In another, more personal sense, The Apocalypse Ark is a return to some of the things that inspired me to begin writing when I was a child.
The cast of curious creatures is nothing new for the series. The first two Cross books, The Mona Lisa Sacrifice and The Dead Hamlets, also have their share of the mythological and wondrous. With those books, though, the fantastic was much more grounded in the real. I’ve always loved fantasy, but I really wanted to create a fantasy series that was about our world rather than some made-up realm — I wanted readers to feel a real-life connection to the characters and places in the books, even if the characters were immortals, faerie and the like.
In The Mona Lisa Sacrifice, the fantasy elements are very clearly tied to our world — the Gaudi church in Barcelona inspired much of the book (as I’ve written about before), the gorgon is linked to a statue in the Louvre and a glass skull in the British Museum, Cross’s love Penelope is enmeshed in the spiritualist movement, an abandoned factory in Detroit is the setting for a key scene and so forth. There’s even a real-life painting or two that play a role.
I continued to find the fantasy in the real with The Dead Hamlets, where the Tower of London plays a key role, as does the castle that likely inspired Hamlet. There are a few other things, such as a certain cemetery, a legendary historical text, Westminster Abbey, the church where Shakespeare is buried, a real-life haunted theatre and rumoured ghost, and so on. I let my imagination run a little more wild in The Dead Hamlets, creating settings and characters that are definitely out of this world, but for the most part I was working within pre-existing myths, legends and texts.
With The Apocalypse Ark, I set sail for the seas of the imagination instead of the real world, though. The novel originated in a mad fantasy rather than the real world, after all — the idea that Noah was God’s jailer rather than humanity’s saviour and had gone mad and sought to end the world. As with the other books, I wanted a wild assortment of mythic characters and magical settings, but rather than find their origins in real life I wanted to anchor them in books, movies, and other works of art that had meant something to me. (Some of you may say there is no difference between real life and art, but bear with me….)
In many ways, The Apocalypse Ark is a tribute to the works that inspired me as a youth and lit the fires of my imagination. Chief among them is the film 20,000 Leagues Under the Sea, based on the Jules Verne novel. I remember seeing the movie in a school gymnasium right before the holidays when I was in elementary school. I sat on the floor in the dark with hundreds of other students and watched, mesmerized, as the secret submarine Nautilus emerged from the depths and its crew did battle with a giant squid. It was a dark, stylish film with more than a little moral ambiguity and complex ideas for a young child such as myself. It was a far cry from the usual Disney fare I was used to, and I was hooked immediately.
20,000 Leagues Under the Sea was one of those things that changed the way I thought about books and movies — Lord of the Rings and the Chronicles of Amber were a couple of other notable atomic texts for me. It wasn’t long after I saw the movie that I found myself reading HP Lovecraft’s books and devouring the Conan tales, which are every bit as dark and disturbing as Lovecraft. If I were to go back through my life, I could probably follow the wake of the Nautilus through all my younger, formative years, right into university, where I discovered Melville’s tale of Ahab and the white whale. Another work of art that changed everything for me.
There’s so much of 20,000 Leagues Under the Sea in The Apocalypse Ark — the Nautilus and Nemo are both present in more than a passing manner. There’s a bit of steampunk to it, which was deliberate as I see 20,000 Leagues as one of the early steampunk works — not only for its stylish vision but also for its critique of capitalism and industry. The whole Cross series follows an antihero, of which we have a couple examples in 20,000 Leagues. Jules Verne even makes an appearance in The Apocalypse Ark! And, of course, The Apocalypse Ark does have a memorable giant squid attack. I hope it’s memorable, anyway….
I also wrote in the other books that influenced me, the ones that Verne’s Nautilus led me toward. The Sunken City may remind you of a certain Lovecraft aquatic abode, and I tried to channel the madness of Moby Dick with my own version of Ahab and the white whale.
It’s not all echoes and homages, though — I like to think I managed to create my own dark and wondrous world populated by deranged angels, cunning vampires and crazed kraken and the like. I would love it if readers set sail into the sea of my imagination and find it as much a shock and inspiration as that moment I found myself huddled in the dark on a gymnasium floor, watching a strange new world come to life before me.
I hope The Apocalypse Ark carries you away, dear reader, much as 20,000 Leagues carried me away to a world I never could have imagined but can now never forget.