Category Archives: Journal

How D&D made me the writer I am

Roll a d20 for a creativity check.

Whenever I do interviews, the discussion often turns to Dungeons and Dragons. What sort of influence has D&D had on my writing? I suspect my answer to that is the same as many other authors: I wouldn’t be the writer I am without D&D.

I started writing around the same time I started playing D&D back in elementary school. (Basic rules!) I can no longer remember which came first, D&D or my writing, but it doesn’t matter. They are both equally important in the development of the imagination and those paths that led me to become a writer.

I’ve mainly been a GM (or DM if you’re old school), which means you’re dreaming up other worlds for the players to inhabit. More importantly, you’re dreaming up a compelling story for them. So there are a number of things you have to think about when running the adventure.

Worldbuilding

GMs and writers both need to create interesting worlds with enough detail to catch the imagination of the players/readers without bogging them down in unnecessary detail. Guiding players through countless worlds in D&D sessions has taught me what sort of details matter and what don’t and how to shape worlds to reflect the mood and atmosphere I want.

For instance, if I’m creating a D&D adventure where my players explore a set of ancient ruins in search of a lich that has been plaguing their realm, I’m going to populate those ruins with wraiths and other undead, crumbling tomes, accidental traps where floors of the ruins are collapsing, strange mists and haunting sounds, and so on.

That has taught me to do the same in my writing. My second Cross book, The Dead Hamlets, is about a Shakespearean ghost, and I worked hard to ensure every element of the book reflected that in some way. There are characters from the theatre, key moments take place on stages (real or fantastic), characters quote famous theatre lines, actual theatrical ghost legends are throughout and so on.

The Dead Hamlets is very different from the first Cross book, The Mona Lisa Sacrifice, where I really wanted to set up an alternate version of our contemporary world in which angels scheme behind the scenes and magic is hidden everywhere. In The Mona Lisa Sacrifice I researched different historical periods like the Great Depression and included references to Raymond Carver and modern and historical buildings like the Seattle library and the Gaudi church in Barcelona.

Of course, it’s worth mentioning that every GM and writer will have different priorities here. Some love worldbuilding that includes rational and comprehensive magic systems, genre rules and so forth, while others prefer things wilder and looser. I’m in the latter camp but it’s all a matter of preference.

Plot

Plot is just as important to D&D as it is to books and stories. I learned early that every game session needs to advance the story and the stakes for the players. If you’re just running around killing monsters and looting ruins, that gets old and boring very quickly. So each session sets up a goal for the players, an obstacle to that goal, and an outcome that advances the tale to the next session. It’s the same structure I use for chapters or even scenes. Goal, obstacle, resolution — the building blocks of any story.

(Of course I can’t help it if my players or characters don’t cooperate.)

Character development and emotional arcs

D&D players want their characters to grow and change — not only to become more powerful but to become fleshed out with dramatic stories and achievements. Players don’t simply want to do the same thing over and over. They want to evolve and have an emotional investment in this fictional character.

It’s the same thing for readers of fiction. They want to see the characters grow and develop — even if it doesn’t always end with positive outcomes. It’s become increasingly important to me to have characters that change, that develop over the course of the story in a way that readers recognize and care about.

This is something I had very much in mind in my fourth Cross novel, The Wonder Lands War. I could have simply written another tale of the immortal rogue Cross getting into trouble and saving the world, but I knew it was time for some big changes in Cross’s life after everything he had been through in the previous books. So the real focus of that book is about parts of his life and world ending, with his daughter’s death (second death, that is), the demise of the faerie court that have long been his companions and nemesis, and new relationships with the angels that he constantly seeks to kill. It’s a tale of how life happens to all of us, with inevitable change and some chapters coming to an end while others begin.

Collaborative storytelling

The idea of collaborative storytelling is particularly important for me, and it’s where D&D has really had an influence. I’m not one to play the game strictly by the rules or to follow adventure scripts like bibles. Instead, I tend to work with a general outline of ideas and continuously adapt it as the game evolves and my players do wonderful and crazy things. And sometimes wonderfully crazy things! I find the true magic of a D&D session lies in the moments that can’t be scripted ahead of time, when the players come up with something on the spot that even they hadn’t planned which changes the whole arc of the game. To me, the story we create together is the most important of the game, which is why I don’t mind altering the rules or the planned adventure to accommodate that story. (I’m definitely not a rules lawyer.)

Take, for instance, a recent campaign I ran where my players were intent on throwing a Saddle of the Cavalier upon every tough creature they encountered so they could ride it into battle. (A Saddle of the Cavalier prevents riders from being dismounted against their will.) They ended up battling what they thought was a beholder in a lich’s mansion and charmed then saddled it. However, they didn’t know that the beholder was actually a dream version of a Death Tyrant, which can’t be charmed. I could have played by the rules and had them fail the charm attempt. But in the moment I thought it was much more interesting to have them saddle up a Death Tyrant and ride it into combat against their enemies. I was right and we created an awesome and very memorable session together.

I try to keep that spirit of collaboration in mind in my own writing. I often present mini-scenarios in my books or stories that hint at tales not actually covered by the work at hand: interesting asides, nuggets of back story, that kind of thing. Take for instance, the idea I put out in The Mona Lisa Sacrifice of the Gaudi church being in fact a tomb meant to imprison something. Imprison what exactly? Well, that’s up to the reader to decide.

Some may consider these moments story threads that I’ve failed to tie together. But I see them as imagination prompts for the reader to create their own tales. Ideally, they’ll take the story hint I’ve inserted and create a whole other story with it. Now imagine that becoming a different story with each reader. So many tales that spring out of the original story! Just like so many different tales emerge out of D&D adventures. There’s a reason so many writers and D&D players!

I could go on about this forever, but it’s time for my D&D session!

(The coin in the image is a gift from the wonderful fantasy writer Sebastien de Castell, who also happens to be a D&D player.)

A lament for book publishing and other hells: The August 2026 Bibliofiles

August always feels like the fading of a time to me, so it’s appropriate that much of my reading for the month was focused on the precariousness of book publishing. And vampires!

Fiction

Vlad by Chris Humphreys

I’ve long been a fan of Canadian writer Chris Humphreys and his historical fiction. Shakespeare’s Rebel, Plague, the Jack Absolute novels — they’re all some of my favourite reads.

(I know Humphreys doesn’t live in Canada anymore but he’ll always be Canadian to me!)

I finally got around to reading Vlad and wish I had done so years earlier, as it’s one of his best works.

Humphreys takes the figure of Vlad the Impaler and creates a real human being behind the monstrous legends, one whose cruelty is not mindless but deliberate and forged in pain and suffering.

The book follows Vlad through his childhood years trapped in the Ottoman court to his later rise to the leader of Wallachia, a kingdom torn apart by corruption and political infighting. Vlad unifies the kingdom through terrifying displays of power so that he can take on the Ottoman Empire. His rise to power and devotion to duty comes at terrible cost, though, as Vlad must sacrifice his love and everything else that matters to him.

It’s a tale of truth vs. legend, and of the real people behind history’s horrors.

And if anyone knows history, it’s Humphreys. He’s one of the best historical novelists alive, and his attention to historical detail, politics, court intrigues and more is unmatched. Humphreys immersed himself in both the legends and the historical sites of his novel, and it shows in every page. Another masterpiece from a master writer.


The Tenant by MS Berry

Ever wish your favourite writer would hurry up and finish a new book? Have you considered embarking on a murder spree to help them along?

That’s more or less the premise of The Tenant by MS Berry, otherwise known as the Canadian author Michelle Berry.

Writer Amy Ellis moves to Freiburg, Germany, for a year with her husband and young daughter in the hopes it will help break her writer’s block. It turns out writing has become challenging since she started a family. Who could have known?

They find their rented flat already occupied by the mysterious Eleanor, an old and odd English woman who soon inserts herself into the family’s life.

Eleanor isn’t just odd, though — she’s also a serial killer. And Amy is her favourite author. Eleanor is killing people with the hope it will give Amy plot ideas for her next book.

But when the book doesn’t meet the killer’s expectations, she decides to take things into her own hands and the book moves from psychological mystery to thriller.

So what do we have to do to hurry along the next book by MS Berry?


The Lesser Dead by Christopher Buehlman

The Lesser Dead is one of the creepiest vampire tales I’ve ever read and way more complex than it initially seems to be. It follows the vampire Joey, who’s been trapped in a teen body for some time and living with a clan of vampires in the city’s underground. They’ve established a careful routine of bleeding favourite victims but not killing them, so they can essentially go unnoticed forever.

That all changes when they encounter a pack of feral children vampires who are much more bloodthirsty than them. Joey and his pack try to tame the younger vampires but things get very strange. And very bloody.

A must-read if you are into vampire stories or a fan of Christopher Buehlman


A Short Stay in Hell by Steven L. Peck

I’ve long been a subscriber to Borges’ notion that paradise will be a kind of library.

But what if Hell is a library?

That’s the premise of the novella A Short Stay in Hell by Steven L. Peck. It follows Soren, a Mormon who dies and finds himself in the waiting room of Hell. A bureaucrat demon explains to him that pretty much everyone winds up in Hell for not following the one true religion, which turns out to be Zoroastrianism. Every one of the damned gets condemned to their own personal Hell, which in Soren’s case is an endless library.

Well, that doesn’t sound so bad. But of course there’s a catch.

The library contains every book that can be written, but the books don’t have to make sense. So everything around Soren and the other damned are texts of gibberish. The only way they can escape is to find the books that tell their earthly life story — a search that promises to take all eternity.

A Short Stay in Hell is beautiful and terrifying at the same time — and unlike anything else I’ve read. It’s like some strange book discovered in the library of Hell itself. My only complaint with it is its length — I wish it were a full novel rather than a novella. But that’s Hell for you.


Leprechaun Gold Accepted by Vivian Chou

A delightful little story told as updates to a Go Fund Me for a fairy attacked by toddlers.

Link: https://flashpointsf.com/2024/03/08/leprechaun-gold-accepted/


Non-fiction

Lament for a Literature by Richard Stursberg

Canadian publishing is the weakest domestically owned publishing sector in the industrialized world.

That is the argument put forward by Richard Stursberg in Lament for a Literature, but it’s nothing new for any of those involved in the Canadian culture scene. We’ve all been witness to a once-proud publishing ecosystem “deeply engaged with exploring and understanding Canada” becoming little more than a dumping ground for American publishers.

Stursberg points to a number of reasons for this, including government inaction as multinationals took over Canadian publishing and almost all of the domestic market. HarperCollins, Penguin Random House and Simon & Schuster became the key players in CanLit over a period of time thanks to purchases and consolidation, but they have little interest in maintaining the proud and innovative tradition of that same CanLit.

“They were essentially vehicles for the sale of foreign, most American, books,” Stursberg writes. “They were not much interested in Canadian authors unless they were well established, in which case they were happy to poach them from the smaller Canadian-owned publishers.”

Combine this with the rise of Chapters and Indigo, and you had the perfect storm for Canadian publishing. Chapters was able to insist on discounts because of their size, which meant less margin for smaller publishers. The big multinationals, of course, could afford it or negotiate their own terms.

Amazon has played a role as well, with its recommendation engine favouring popular books, which skews heavily toward the American market.

If all this weren’t bad enough, the decline of newspapers and other media further added fuel to the fire, with books sections usually among the first to get cut.

So can anything be done to reverse the death of Canadian publishing?

Maybe.

Certainly the Canada Council is a lifeline of sorts, but it is only that: a source of funding that helps some publishers and writers survive but only barely. Stursberg argues convincingly that more needs to be done in terms of government support and points to the models used to bolster Canadian television and film as an example. It’s a descent into bureaucratic madness too convoluted to get into here, but basically Canadian publishing is stuck in a competition funding model whereas the film and TV funding works more on rewarding Canadian production.

At the same time, Stursberg states that Canadian funding needs to move away from identity politics as it has become more of a wedge that divides than a unifying and progressive force: “These strictures have narrowed the boundaries of discourse and cast a chill on what can be said, written, or shown, radically restricting artists’ freedom of expression.”

Whatever your position on Canadian culture may be, it is clear that something must be done and that government action (after decades of inaction) is the only thing that may reverse the decline of Canadian publishing. As Stursberg concludes: “Saving Canadian media and, most centrally, Canadian books is essential to saving ourselves.”


Why Is Book Publishing So Precarious by Sara King-Abadi

Cuts to funding signal a new chapter for Canada’s books sector.

Link: https://thetyee.ca/Culture/2026/08/07/Why-Is-Book-Publishing-So-Precarious/


Abolish the Top Ten Books List by Thea Lim

Every writer loves to make a top 10 list (or top 50 or top 100, etc.) because we need all the publicity we can get. But most writers also realize such lists are as absurd as ranking books with a star system. Evaluating your personal relationship with a work of art is not the same as ranking microwaves. We need to return to ways of talking about culture that connect books with their ideal readers, not rank them on some arbitrary scale that will be different for each person.

Link: https://thewalrus.ca/abolish-the-top-ten-books-list/


The Buck-a-Book Solution by Ken Whyte

What’s the best way to compensate authors and publishers for their works in the library system? Does a dollar a borrow make sense?

“A public lending right shouldn’t start by pretending that each book borrowed represents a lost sale, as the librarians sometimes do. Let’s make it really simple, taking a cue from the Danish model. A buck a book. Every time a book is borrowed from a public library in the US or Canada, the federal government should compensate the author and the publisher, $1 to each. A buck a book.”

Link: https://shush.substack.com/p/the-buck-a-book-solution

Read more with Readwise

What’s your favourite ideas app?

For me it’s Readwise.

I’m constantly encountering ideas in books, articles, social media posts, blogs, etc. that I want to remember but know I never will. I’ve learned that the hard way. Ever try to remember your favourite literary quote to tell someone and it turns into a bumbling paraphrase? That’s me. To quote a famous poem, “I grow old, I grow mold.” (TS Eliot, by the way.)

Readwise is my preferred app to help me remember all these nuggets and store them. Simply connect the service of your choice (Kobo, Kindle, Instapaper and so on), and it will collect your highlights and notes into an easily searchable archive.

Readwise doesn’t just serve as a storage app, though. It also works to help you remember those ideas. The app has a daily review feature that surfaces entries for you using the idea of spaced repetition — the more you review the entries, the more you’ll retain the ideas. You can customize the number of entries, break them down by tags to show you specific categories, remove the ones you don’t want to see and more.

The app also makes it very easy to share these ideas. Hit the share button and it will generate an image of the quote and book cover that is ready for social media.

Readwise has become one of the few apps I use on a daily basis and my go-to app for storing the interesting bits of information I encounter. It’s not free but I find it’s worth the cost of subscription. And you get their new Reader app thrown in as well.

The only thing I found Readwise couldn’t help me with was capturing elements from physical books. However, that changed with a recent update that introduced a scan option. Now you can scan a passage from a print work and add it to your Readwise library. It even lets you search the title of the work so you can add the cover image to the quote.

At this point, Readwise is pretty much a perfect app and an absolutely necessary reading companion.

Guest reading at @GillerPrize

I’m over at Giller Prize’s Instagram today reading from my new book, The Wonder Lands War.

Check it out here: https://www.instagram.com/p/DbqIz1HunUz/

What gentlemen do across the river on a seldom seen road: The July 2026 Bibliofiles

I think I hit all the genres for reading in July: literary fiction, non-fiction, mystery, horror, fantasy, LitRPG, weird lit — even some poetry!

Fiction

What Gentlemen Do by Todd Babiak

I love What Gentlemen Do because it brings together two of my favourite things: Todd Babiak and Stoicism.

Babiak’s novels are typically quiet, personal tales that extend out into the broader community, and What Gentlemen Do is no exception. It follows the young Waylan Gans after he has become the poster boy for right wing extremists due to his spontaneous involvement in a university protest related to a podcaster. Waylan now works at a bookstore in the small town of Walleye and tries to live down his unintended infamy while working through the emotional aftermath of his romantic coming out to a long-time friend, Derby, who rejected him. At the same time, his parents split up as his father has made a bad bet on cryptocurrency and they are about to lose the family home.

What Gentlemen Do is very much of the moment, as Waylon drifts first toward grievance culture of the sort favoured by young men, then toward Stoicism as a healthier antidote.

Like real life, though, What Gentlemen Do is more nuanced and complicated than a simple clash of values between toxic masculinity and Stoicism. Walleye is representative of dying small towns across North America, where those who can get out do and those who cannot face no future whatsoever. In that sense, the novel is as much an exploration of class culture and perhaps even capitalism as anything else. As Waylan reflects at one point, “No matter what I did I could never be one of them.”

In a bizarre twist, Waylon becomes the pet project of a wannabe political influencer thanks to his online fame and she sets him on a path to running for mayor of Walleye. This is where perhaps the true heart of the book lies, as Waylon genuinely tries to change the town for the better so people will stop leaving — Derby, his Stoicism professor, anyone else who can — and make a future for Walleye. In doing so, he may just create a future for people like himself as well.

This may be the real solution to the problem facing young men — not finding solace in online communities of other alienated individuals like themselves, but making change in their own community that helps build a stronger community.

Babiak, who works as a consultant for cities around the world, suggests as much in a Substack entry titled “One Thousand Small Things.” He spent years immersed in the feeds of online influencers and determined the audience was less interested in their messages and more in meaning and togetherness. Mass movements can’t save young men, Babiak argues, but perhaps a decentralized model of small ideas, projects and policies can.

“Young people can find meaning and togetherness on the streets when the local team wins a game, but they need something more enduring: an invitation to get out there and improve something, save something, create something with friends and like-minded strangers that can only happen in their communities.”

This is exactly what takes place in What Gentlemen Do as Waylan struggles against online extremism, political duplicity and even the shortcomings of Stoicism to maintain newfound values of hope and change in his community, where everyone can belong.

What Gentlemen Do is a quirky, funny, sad and timely novel – and it’s one of Babiak’s most important works yet.


Seldom Seen Road by John Degen

Seldom Seen Road by John Degen is a slow burn of a mystery novel that constantly defies expectations to become something unique in the genre.

It begins with the murder of a local environmentalist, who is fished out of a river with most of his face consumed by lamprey eels. At first glance, it seems comparable to Giles Blunt’s psychologically dark Cardinal mysteries.

But the cast of characters here are unlike other contemporary mystery series. Sure, there’s the northern cop Jeremy Roth, but much of the tale centres on his cousin Mark Roth, a widowed former musician who is hard of hearing and not at all inclined toward police work. The two are joined by Mark’s daughter Stephanie, a criminologist at Lakehead University who is dealing with the aftermath of not only her mother’s death but also of the end of her relationship.

Together the three of them put together the different pieces of the puzzle and tie the murder to the local drug trade, which is in a state of flux thanks to the legalization of marijuana.

But that is only part of the book. The real heart of Seldom Seen Road lies in its exploration of small town life — the characters found in the diners and gas stations, the constant threat from wildlife as development pushes up against and through nature, the solitude and loneliness, the hard life of resource extraction, the criminal and political tides of distant Toronto washing through the town every now and then, and more.

Seldom Seem Road is a murder mystery, yes, but it’s also a portrait of a community in a time that is leaving it behind. But even such a small town can have a powerful impact on the rest of the world, as becomes clear to everyone when the mystery leads to the town’s uranium refinery.

Seldom Seen Road is the first in Degen’s Burnt River series set on the north shore of Lake Huron. I hope there’s many more to come.


Metaloria by Arthur Slade

Metaloria is the latest fun tale from Canadian author Arthur Slade, who has made a name for himself in the field of fun fantasy novels. In Metaloria he puts a heavy twist on things in the form of heavy metal, as the novel follows a group of characters yanked from an Anvil concert and thrown into a most metal fantasy world ruled over by a deadly wizard.

Metaloria has an 80s D&D meets metal vibe, as the characters find themselves in a dungeon where every room has traps and creatures waiting to kill them. Their only hope is to level up and become powerful enough to take on the wizard – and level up they do as this is a LitRPG tale.

This is the book for you if you like your fantasy relentlessly comic and resonating with musical references both popular — “all we have to do is take a skiff up the Bretbachneil River to Twistysista and follow the Highway to Hades past Sweet, Child, and O’Mine until we reach Everyrosehasitsthorn” — and niche — “The only rangers we have here,” Fiora said, “are night rangers, and they eat the hearts of unwary travelers at the command of their leader, Sister Christianne.”

As a bonus feature, Slade included many of the people he’s played D&D with over the years in Metaloria, including myself: “The Mullet King McCann rules them. In his presence, you will always feel your hair is inadequate. Even Darbyshire and Latimer, his Metal Ball minstrels, have hair that would make rock gods weep with jealousy.”

What a motley crew!


Those Across the River by Christopher Buehlman

Those who follow me here know I’m a big fan of Christopher Buehlmann — The Blacktongue Thief, The Daughters’ War and Between Two Fires are some of my favourite books ever. So I thought I’d check out some of his earlier work, which is lesser known.

Those Across the River is a more horror than the fantasy Buehlmann typically writes these days, but it’s as different from everything else in its genre as his fantasy books are.

A tale of a small town in the south plagued by a supernatural and existential threat, Those Across the River is like reading Faulkner combined with Jim Thompson. It’s a got a lyrical voice with the kind of eye for detail that Buehlmann excels at, set in a southern gothic landscape haunted by the ghosts of slavery.

The book is told from the point of view of Frank Nichols, a former war vet and history professor who arrives in the town with his lover Dora, a schoolteacher he’s poached off a colleague. Dora teaches at the local school while Frank tries to write a book about his slave-owning ancestor in the town, who used to have a plantation that is now lost to the wilderness.

The town is one of those small villages that is doomed to die out eventually, but in the meantime the residents manage a hardscrabble existence that is made even harder by their ritual of releasing pigs into the forest across the river each month — which also happens to be where the lost plantation is located.

When the villagers decide to stop the ritual, horrifying things begin to happen. But this isn’t just some monster tale. The horror that descends on the town is straight out of the Jim Crow era and there is no escape — not even for Frank or Dora.

There’s a LOT going on this book — racial conflict, the urban vs. rural divide, post-war trauma, supernatural horror, an unreliable narrator and more. But it’s the characters that are always at the heart of the tale. Every single character is brought to life in unique and compelling ways in Those Across the River, including those who have only brief cameos. And the horror of the book relies upon their strong characterization. There are two scenes in the book — one involving a creepy boy and one with Dora — that are some of the most memorable horror moments I’ve ever read.

So if you’re a Buehlmann fan like I am, check out Those Across the River for another masterpiece.


Unprecedented Weather Patterns by Julia Leef

It’s raining blood, ping-pong balls, frogs, armadillos, asbestos and more in this beautiful tale of well, if not the end times, different times.

Link: https://redivider.emerson.edu/unprecedented-weather-patterns/


Non-fiction

The Meaning of Your Life by Arthur Brooks

Does your life feel like it is missing something, no matter how much you do? If so, you’re not alone. And Arthur Brooks may have an answer for you in his book The Meaning of Your Life.

Brooks argues that what too many of us are missing is meaning. Our lives may be busy, full of information and overscheduled with experiences, but they are not necessarily meaningful. In fact it’s quite the opposite, as we are distracting ourselves to the point of despair.

Like others writing in this field, Brooks points to the “doom loops” of social media and new technologies such as smartphones. Brooks adds a new angle with his argument that our constant busyness and addiction to tech keeps us locked in the analytical, left-brain mode while the right-brain sphere of mystery, love and yes, meaning atrophies. Brooks argues we need to embrace the right side of the brain again to unlock our full selves.

How to do that, though? The first step is to break the patterns of modern life — “to interrupt the doom loop” and regain your full attention to life. For Brooks, this means a digital detox a la Cal Newport.

“It also means detoxing from the addictive properties of the tech we have adopted to anesthetize ourselves in a world that once felt boring – but that most definitely is not. Finally, it means refusing to give in to the antiboredom devices – and, indeed, getting bored in a productive, healthy way, perhaps for the first time in a long time. These steps will unshackle your brain, heart, and soul to seek the mysteries of true meaning.”

Brooks urges people to “ditch all the empty cultural calories” that fill their lives and focus only on what is nourishing.

“Devote your attention only to what is edifying and uplifting.”

Excellent advice so far, but what exactly does nourish our selves in the modern age?

For Brooks, leisure is incredibly important. He does not mean simply relaxing and doing nothing, though. Instead, Brooks means leisure as the sort of activity that you do for yourself rather than for a paycheque and you need to be as disciplined about it as you are about work. Leisure is more than “not work” – it is a different skill.

“Properly understood, leisure is the work you choose to do for yourself without the economic whip driving you.”

Brooks cites the influence of philosopher Josef Pieper on his thoughts about leisure, noting that when life becomes an endless cycle of working and recovering only to work again then culture dies. Leisure is less recuperation then and more development of your whole identity. Another parallel may be Simone Stolzoff’s The Good Enough Job, which also stresses the importance of having purpose outside of work. (And all of this seems an important counter to the fanatics calling for 996 working culture – 9-9, 6 days a week.)

Brooks also stresses the importance of more abstract and emotional/philosophical pursuits, such as immersing yourself in nature similar to the Japanese idea of Shinrin-yoku (forest bathing), falling in love and seeking the divine. Brooks stresses that all of these take actual work to transform the abstract into the concrete in your life.

“Religious practice is the set of actions and rituals you adhere to as your observance of faith with others. Practice takes your faith beyond abstract belief and makes it part of your daily life: you can believe in the ideas of Zen or the divine inspiration of the Bible, but until you practice Zen meditation or attendance at a house of worship, belief without participation doesn’t mean much.”

Brooks incorporate a bit of Stoicism as well, particularly around the idea of suffering and our constant attempts to escape even the possibility of it.

“Suffering will certainly find you. Don’t try to avoid it, and when it comes, don’t try to eliminate it. Instead, learn to manage it so that it leads to learning and growth.”

So if you are missing something in your life, I recommend you check out The Meaning of Your Life as the first step in your meaning journey.

Related:

  • Digital Minimalism by Cal Newport
  • The Obstacle Is the Way by Ryan Holiday
  • Stillness Is the Key by Ryan Holiday
  • Four Thousand Weeks by Oliver Burkeman
  • The Good Enough Job by Simone Stolzoff

Poetry

My House Is Not On Fire by George Murray

Another poem of lingering beauty from Canadian poet George Murray.

Link: https://www.badlilies.uk/george-murray-1

Conjuring a magical Canada with Canadian Urban Fantasy

Canadian publisher Wolsak and Wynn has launched a new online magazine called House Style, which will feature fiction, poetry and essays with a Canadian slant. As publisher Noelle Allen says in her thoughtful piece “Why We’re Not Afraid to Be Provincial,” readers want more Canada.

Canada is beautiful and complicated, pieced together over the lands of many Indigenous nations who still struggle for autonomy today. Our history is breathtaking and bloody, not boring. Our people are fascinating and dynamic. Why wouldn’t we want to delve into these stories? Why wouldn’t we want to publish them? Why wouldn’t we try to share them across provincial lines? The life you live in Fredericton is very different from the life you live in Hamilton and not at all like your life in Calgary. The stories, poems, songs and art from each city are equally different and fascinating. Why don’t we know them as well as those stories streaming to us from the States?

I had the privilege of writing one of the first essays featured on House Style, “Conjuring a Magical Canada with Canadian Urban Fantasy.” I consider a number of Canadian urban fantasy books and try to get to the heart of how Canadian urban fantasy may be different from other works in the genre — and why we need Canadian urban fantasy at the moment.

I hope you’ll give the essay a read and then check out some of the writers mentioned in it. They include:

  • Jes Battis
  • Kristi Charish
  • Andrew Kaufman
  • Chadwick Ginther
  • David Neil Lee
  • JR McConvey
  • Silvia Moreno-Garcia
  • Corey Redekop
  • Eden Robinson
  • Andrew Sullivan
  • Drew Hayden Taylor
  • Richard Van Camp
  • Katie Welch
  • Thomas Wharton
  • Robert J. Wiersema

The importance of writing communities in the age of AI

What will the rise of AI mean for writing communities?

It’s a question that’s increasingly relevant given that the flood of AI-generated stories, books and everything else shows no signs of letting up. The online writing community Codex has a thread dedicated to one prolific scammer who managed to get more than 30 stories published or accepted for publication in desirable markets before they were discovered. And that’s just one person who happened to get caught.

This is nothing new to magazine editors and book publishers, of course. They have been complaining for some time now about the overwhelming amount of AI slop they receive. But it seems the problem is getting worse rather than better as the scammers get more sophisticated.

This will potentially lead to editors taking fewer chances on unknown writers and focusing on their established community more, if they are not already doing so. It’s great for the established writers, but it will become even harder for newcomers to break in now.

There’s no real answer yet on how to deal with AI slop. Yes, there are AI detection apps but the level of false positives seems to be high from all accounts. And there’s the ethical question of how to check to see if a work is AI without also exposing it to AIs that can scrape its content.

And there’s no disincentive for the scammers, as it’s essentially a cost-free effort with the chance at pure profit for any works that slip through to get published. And make no mistake: profit is the driving force for most. The only real cost would be the subscription for whatever service they are using to generate works — and there is an entire ecosystem of AI writing apps that has sprung up, which makes detection even more difficult.

The real solution may be for writers to take more active roles in their communities, both physical and online. Sure, writers are a solitary lot by nature and adverse to joining groups. But community is about supporting one another and creating purpose and opportunity for one another. With that comes a variety of very human things, such as respect, gratitude and of course recognition.

If there’s anything the AI age calls for, it’s a return to real communities.

The end of the world now 50% off!

My publisher Wolsak and Wynn is having a backlist blowout and offering selected books at 50% off for the month of July.

Has the World Ended Yet?, my collection of apocalyptic tales, is included in the blowout. The discount is applied at checkout. Get Has the World Ended Yet? today at a discount before the world actually ends!

Link: https://bookstore.wolsakandwynn.ca/products/has-the-world-ended-yet

Ebook use in Canada

Booknet Canada has released their latest report on ebook use in Canada, which always seems to be a bit contentious in writing and publishing circles.

I’m particularly interested in the subject of ebooks as my reading has been about 99% ebook for more than a decade now. But the report shows I am certainly not in the majority of readers when it comes to loving ebooks.

Some key takeaways from 2025:

  • Nearly 14% of all books purchased by Canadians were ebooks.
  • 71% of Canadians reported reading an ebook.
  • 34% of all Canadian book buyers bought ebooks.
  • 29% of all Canadian book borrowers borrowed ebooks.
  • Price was often a reason cited for ebook purchases or borrows.
  • Convenience and availability of ebooks were also factors.

Overall it seems ebook usage has been holding steady for the last few years. I suspect the ebook share may grow in the future, for a number of reasons:

  • The growth of self-publishing, which is heavily driven by ebooks and which accounts for most new books published now.
  • The demise of physical bookstores. I don’t think we’ll see much more growth with chain bookstores. There do seem to be more indies popping up, but their selection is typically smaller due to their size and they tend to serve specific niche audiences.
  • Tariffs and related political/economic uncertainty. This has already been affecting the publishing industry and making it challenging to ship books into the U.S. etc.

All of these factors suggest to me that ebooks will see a boost in usage because it will just be easier to purchase books that way for many readers.

On the other hand, physical special editions are certainly growing in popularity with services like OwlCrate and Broken Binding, so perhaps there will be a renewed interest in physical books as cultural objects or fetish items. Time will tell.

Read the full report here: https://www.booknetcanada.ca/scrolling-stories-ebook-use-in-canada-2025

New story coming in On Spec 2026

I’m deeply honoured to have a new story selected for On Spec 2026: New Canadian Literature of the Fantastic. “The Heavy Light of the Drowned” is a mix of horror and weird lit set in a small Canadian fishing village. It’s special to have it included in On Spec for a number of reasons:

  • This is the first incarnation of the new On Spec run by Edward Willett, who took over On Spec after the long-running Canadian speculative journal published its last issue. It’s wonderful to see On Spec back!
  • My first story sale ever was to On Spec, a horror story published many years ago. So this one feels like coming home to me.
  • I’m honoured to be included in such an amazing lineup of writers!

More to come.