Blog Archives

The future of the Canada Council

A while back I wrote about the Canada Council planning a major overhaul of its funding processes. A lot of people were interested in it — OK, most of the creators in Canada seemed to be interested in it — so I contacted the Canada Council to find out more. I wound up having a fascinating conversation with Simon Brault, the head of the Canada Council about the changes. Read more about it over at The Province.

Brault says the future Canada Council will be “a sort of portal where artists create their own profiles explaining everything they do … Their job will be to explain to the Canada Council what they want to do, their artistic practice, and all of that, and our role will be to make sure that we serve them well in the context of very few programs … The intentions of the artists will be the driving force of the assessments and not a rigid compliance with a very small sub-program.”

If you’re reading this, you must be lost

I’m getting a lot of new readers at this blog recently thanks to the publication of my latest novel, The Dead Hamlets. So welcome and let me introduce myself. (If you’ve seen this already, scroll to the next post. I’m going to pin this to the top of the site for a few days.)

I’m Peter Roman, author of the Cross series of supernatural thrillers. I’m also Peter Darbyshire, author of the novels Please and The Warhol Gang. I’ll let you work out for yourself which one is the real me. (Spoiler: It’s a split personality kind of thing.)

If you’re new to the Cross books, here are the basics:

Cross is the poor soul who comes to life in the body Christ left behind when he shuffled off this mortal coil. Cross can use all the powers of Christ’s body, but there’s one catch: he needs heavenly grace to power the body. The only way he can get it is by killing the angels stranded on Earth and draining them of their grace. So, yes, we’re in anti-hero territory here. But Cross isn’t all bad. He’s loyal to his friends, which include the likes of gorgons and faerie, and even some literary characters such as Alice from the Alice in Wonderland tales. Needless to say, his friends get him in a lot of trouble.

Boy EatingThe series begins with The Mona Lisa Sacrifice, which follows Cross through the centuries as he tries to hunt down Judas. It turns out Judas is actually an ancient trickster god who’s made it his mission to ruin humanity — and to destroy everything Cross loves. Cross’s quest leads him into the middle of a holy war between the angels left on Earth, and that’s when things truly go to hell.

hamletsThe second book in the series, The Dead Hamlets, checks in with Cross shortly after the events of The Mona Lisa Sacrifice. Cross has managed to fall under the spell of the faerie queen, one of his ancient enemies, and she puts him to work hunting down a ghost that is killing her subjects. But all is not as it seems. The murders lead Cross into a strange and eerie mystery populated with an eccentric and deadly cast of characters, including the Witches of Macbeth, the undead demon hunter Christopher Marlowe and a very supernatural and very deadly Shakespeare. When Cross discovers a startling secret about the origins of “Hamlet” itself, he finds himself trapped in a ghost story even he may not be able to escape alive!

The Cross books are published by ChiZine and have received rave reviews. The National Post called The Mona Lisa Sacrifice “a deliriously unhinged roller coaster of a novel, blending fantasy, history, horror and humour with the aplomb of an overfull blender, but all of it smarter than it, truly, has any right — or need — to be” and Publishers Weekly said “The novel never lets the reader pause for breath . . . fans of the genre will find one of its ultimate expressions here.” Early reviews of The Dead Hamlets have called it “A Rewarding, Witty, Hot Mess of Angel-Pummeling, Action and Noir Detective Fiction” and said it “resembles something written by Neil Gaiman at times with its somewhat mystical imagery and at other times it reads as a full-blown work of bizarro fiction.” I blush.

I’m currently editing the third Cross book and outlining the fourth. I’ll have more about those on the blog in the future.

pleasesidebarI’ve also written a couple of literary fiction novels as Peter Darbyshire. My first book, Please, won Canada’s national ReLit Award for best novel. Please chronicles the life of a young man who drifts through a hallucinatory urban world filled with celebrity wannabes, addictive relationships and jobs that demand he become someone else. Booklist said “Darbyshire plumbs the murky regions of the soul in a novel of dark brilliance,” Kirkus called it a “hilarious social satire of daily life among the young and nihilistic” in a starred review, and The Globe and Mail said it was “a consummate critique of all the creeping human weaknesses, counterfeit values and trend-driven desires that steadily erode our hopes for meaning and purpose.” I just thought I was writing about my own life. Go figure.

WGPBsideMy second novel, The Warhol Gang, is a black comedy for anyone who’s ever been trapped in an office job or lost in a mall. The narrator works for a neuromarketing company that scans his brain to see how he responds to imaginary products. Trapped in an increasingly unreal world, he starts hanging out at accident scenes to experience the most real things possible. He meets a group of counterculture activists who stage accidents for insurance fraud, and falls in love with one of them. When one of their incidents turns deadly, the media turns them into a terrorist gang. That’s when things get weird. The Globe and Mail called it “a violent, darkly comic satire of our media-saturated society” while Postmedia said it was “one of the finest, and most important, Canadian novels in recent memory.” My personal favourite is the review that said it was “Denis Johnson stomping Chuck Palahniuk into William Gibson while Kurt Vonnegut cheers him on.”

I’ve also published some short stories, if that’s more your thing. Hey, I don’t judge.

I have an irregular newsletter that I send out through the TinyLetter service. You can sign up here.

I can be found at the usual social media hangouts online. The links are at the top of the page.

Thanks for reading. I hope you’ll stick around!

I hate you! Wait, why are you getting so upset?

I lost some of my precious writing hours today because I got pulled in by  a thread on reddit about when to tell writers you don’t like their work. My first thought was “never,” but then I realized I have taken the odd positive thing out a negative comment. So I wrote the following in response:

I’ll acknowledge that I’ve taken readers’ criticism to heart and changed things about my writing because of it. But so much depends on the nature of that criticism. There’s a huge difference between “This book had a magic sword and magic swords are stupid. ONE STAR!” and “I didn’t really understand how that rib from the dead god became a magic sword, so I had trouble believing any of the scenes with that sword.” The first comment just kind of ruins my day. The second makes me pause and think about what I wrote. (“Ah damn it, I forgot to write the scene with the dragon blacksmith! Better get that in the sequel.”)

Receiving a message like the creator of HE did would be nothing but hurtful. I mean, that’s the direction Watson wants to be taking with his comic. I wouldn’t respond like he did — I’d probably reply with a “sorry to hear that but thanks for writing” or ignore it if I were having a really bad day — but there’s no way that doesn’t hurt. It makes your day when someone tells you they like your work. But it can also wreck your day when someone goes out of their way to tell you they don’t like what you do.

I really appreciate social media for the way it connects me with readers. Those connections really make a difference to me, and they keep me writing some days when I’m down on myself. But it’s a double-edged sword, etc. A writer I know recently had someone tweet a negative review of his book to him several times in a week — “Hey, just in case you didn’t see this yesterday…” Nothing good comes out of that.

If I find something I love, I let the creator know. If I don’t love it, I spend my time finding something else to love.

There’s a lot more I could say on the subject, but I’ll have to leave it at that for the moment. I’ve got a book to finish!

The Dead Hamlets are alive!

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It’s alive! My new Cross novel, The Dead Hamlets, is shipping. ChiZine wasn’t just pranking me when they said they’d publish it!

I’ll have more details about launches, blog tours, reviews and so forth soon. But right now I’m just going to crack these open and breathe deep of that new book smell.

And then get back to working on the third Cross book.

It’s alive!

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My publisher teases me by posting a photo of my new novel, The Dead Hamlets, partying somewhere in Toronto with new friends, in no hurry to find its way home to me. Wicked, wicked publisher.

The Peter Darbyshires: We are legion

A little while back I got contacted by another Peter Darbyshire who was getting ready to publish his first book. That’s right — there’s another Peter Darbyshire author out there. Cue the Highlander music!

I promised him I’d give the book a shout-out when he published it, so check out The Carpenter’s Tale if you want to read a book by another Peter Darbyshire. (It just launched, although he went with the name P.A. Darbyshire to avoid confusion. Or maybe he just didn’t want to be associated with me. I can’t blame him if so.)

Hmm, maybe if there are more Peter Darbyshires out there we could all band together and make the bestseller lists through our accumulated sales….

Kind of like Jekyll and Hyde

The Globe and Mail profiles Craig Davidson, who also writes horror thrillers under the pen name Nick Cutter, and wonders if multiple writing streams is the way of the future for writers.

The unholy coupling of Craig Davidson and Nick Cutter points to a potential solution. If you can’t survive as a novelist in Canada, what about as two? Or three, for that matter?

I’m not sure the recent trend toward using pen names — Michael Redhill also springs to mind for his Inger Ash Wolfe books, and you may have heard of Peter Roman — is a result of writers trying to diversify their income so much as it is embracing the collapse of the genre walls in publishing. It used to be that if you were a writer of serious literary fiction, that had better be all you write. Similarly, if you wrote fun, crowd-pleasing genre fiction, you’d best stay away from that literary crap that may be good for you but tastes awful. These days, it seems readers are OK with writers who can do more than one thing — and why not? We all love fast food and fine dining, right? We all watch brainless TV sitcoms and smart movies. So why can’t we all read fast-paced fun thrillers and smart, well-crafted literary books?

That was the case when I began to write under the Peter Roman pen name. It certainly wasn’t a financial decision — I’d be better off working overtime at my other job. It was just trying to keep myself entertained by writing things of a different flavour. As it turns out, readers liked the Cross books as well as my literary fiction — and maybe even a bit more. I’m now in the midst of writing more Peter Roman books than Peter Darbyshire books, but sometimes you just discover that favourite dish….

Anyway, check out Davidson’s books — he’s one of the best damned writers I’ve ever encountered. Whatever name he’s using.