Blog Archives

I said “book rouge” but they misheard me

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I’ve launched a new books podcast over at The Province. First up, Kristi Charish of Owl and the Japanese Circus fame. Read the blog! Listen to the podcast! Pine for the video!

More about that Sad Puppies thing….

I posted earlier about how I don’t really have an opinion about the Sad Puppies Hugo controversy. It’s bad enough my kids want puppies…. However, it is a good news story and I work for a newspaper, so I wrote up a column about it. The whole thing is starting to get a bit crazy, with George R.R. Martin weighing in on matters now at his Livejournal:

Perhaps most damaging to the Sad Puppies cause has been George R.R. Martin, author of the Game of Thrones series, speaking out against them in a series of ongoing Livejournal posts. “I think the Sad Puppies have broken the Hugo Awards, and I am not sure they can ever be repaired,” he said in the first post. In a second post, he added, “they seem to want to take the Hugos and turn them into their own awards.” This will no doubt enrage Martin fans who think he should be finishing his latest book rather than posting on Livejournal.

Hear me blather on about things I know nothing about

If you like podcast interviews, I recently talked to Joel Mark Harris about my Cross books, self-publishing, the future of newspapers, blog tours, and so much more! Check it out!

My opinion on the Hugo Awards Sad Puppies controversy is…

Actually, I don’t have an opinion on the controversy.

To me, the idea of trying to determine the “best” book/story/whatever of the year is ridiculous. My best will be different from your best, and our favourite reads/games/shows will likely be different from Larry Correia’s and John Scalzi’s and every other person who weighs in with an opinion. Is Jim Butcher’s Skin Game a better Hugo nominee than, say, William Gibson’s The Peripheral? To some people yes, to some people no. It’s all a manner of opinion.

Or rather, it’s all a matter of a popularity contest. It’s no secret that awards of this sort that are judged by vote are usually just popularity contests — they’re generally about who can mobilize a fan base or at least voting bloc the best. This year, it was the Sad Puppies campaign run by Brad Torgersen. Or maybe it was the Rabid Puppies run by Vox Day. It’s still a little unclear as to which group was actually the one that managed the Hugos sweep. How successful they will be in the final awards depends on the level of organization of their opponents. Will the anti-Puppies bloc defeat the Sad Puppies bloc? The campaigns continue even as I write this.

I should point out that juried awards are little better, as they generally reward books which are most in line with the juries’ own aesthetic tastes or are simple compromises between warring jury members — hardly a way to determine the “best” of anything. I’ve been part of enough juries or known enough jurors in other contests to know how it works.

The sad thing is that awards such as the Hugos are meant to celebrate but far more often divide. Let’s face it: no one generally cares what other people are reading. I doubt John Scalzi gives much thought to what Larry Correia is reading and vice versa. Why would they? It doesn’t matter. But as soon as you try to decide what is “best,” then it suddenly becomes personal. Readers get upset when their favourites are seen as marginalized or unimportant — or worse, when something they don’t like is actively praised as being better than the works they do like. And suddenly an award that is meant to celebrate triggers an online war that spreads lot of divisiveness and hate.

Of course, much of this is caused by writers who either lobby to get their own works awarded prizes or who are pissed off because their own works never get awarded prizes. They mobilize their fan bases, and here we are.

Personally, I think we’d be better off without awards. Fandom would be a much calmer and likely healthier place. But that’s not going to happen. The Hugo will not be scrapped in our lifetime, although it may slip into irrelevance, like many other awards (some would say it went that way a long time ago). And the sad truth is awards sometimes come with a financial benefit to writers that matters very much. The Hugos don’t have much of a sales boost, but they do have a boost. And other awards, such as the Giller or the Booker or even the Governor General’s Award make a huge difference to artists’ ability to keep on creating. So awards matter even if we don’t want them to.

So what’s to be done? I think the only option is to not care about them. Or at least use the furor for entertainment value. I think the Hugo brouhaha is meaningless but it is a compelling soap opera. Read and view what you want and don’t worry about what’s best. Worry about what’s best for you.

And if you’re a creator and you win an award, great. Congratulations! Feel good about it and soak it for all it’s worth. But don’t let it get to your head, because it doesn’t mean anything.

In case anyone thinks this is a case of sour grapes, I’ll point out I’ve won a few nice awards, some that come with money, others with honour. I’ve been delighted to win in each case, but I’ve always said all they mean is a certain group of people in a certain block of time happened to like my works a little more than the other works they’d read recently. I’m thankful for that, because it means my writing connected with readers. And that’s what it’s all really about.

Awwww

best friends!

My two Peter Roman books are like best friends on the charts. I can’t wait to see how they get along with the third book!

The politics of piracy

I may have weighed in once or twice on this reddit thread about whether book piracy is OK or not. Spoiler: I don’t think it is.

The best way to buy my new book

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I’ve had a number of people ask me the best way to buy my new book, The Dead Hamlets. Normally my response is to say buy it at your local bookstore or favourite online site. Unfortunately, while Chapters sells the book through its website, it isn’t carrying many copies of The Dead Hamlets in stores. (U.S. readers: Chapters is the national bookstore chain in Canada — sort of like a Barnes and Noble only with more pillows and picture frames. The book is available at Barnes and Noble stores.)

I’m not entirely certain why this has happened. Part of the problem is likely Chapters’ ongoing shift to a cultural lifestyle store, which means they’re carrying fewer books for a shorter amount of time. Small publishers like ChiZine are obviously going to get hurt by this. At the same time, ChiZine’s main distributor, HarperCollins, decided to get out of the distribution business in Canada right around the same time the book launched. I can’t help but think that The Dead Hamlets got lost in the shuffle. So the book got hit by a double whammy at the worst possible time. It’s almost like there’s a witch’s curse or something….

I’m not really blaming Chapters here. People are ordering more books online or simply giving up on print altogether and ordering ebooks. Unless you’re a bestseller or have bestseller potential, it’s becoming harder to get shelf space in bookstores. As for the distribution changeover, well, that’s the way the industry goes sometimes.

I am kind of crushed by this development, however — every author wants their new book in bookstores, after all. This is kind of the author’s life, though. Business happens.

So that gets to the question of how you should buy my book. A number of people have asked if I’m selling them directly at events. I am, and you’re welcome to buy a book from me in person. Seriously, if you see me walking down the street, just come at me with money in your fist. I will almost certainly stop to talk to you.

But I would prefer you didn’t buy the book directly from me. Instead, I would appreciate it if you buy The Dead Hamlets — or any of my other books — from a bookseller. Why? Well, it’s good for the cultural ecosystem and all that. So there’s my public service announcement of the day. But more importantly, it’s good for the author. If people order the book at Chapters bookstores or even order it online from the Chapters website, where it is available for sale, then maybe Chapters might think twice and stock more copies of it in stores.

Similarly, if people order it from Amazon or Kindle or whatever, that also helps me. Every sale on Amazon boosts my sales ranking, for instance, which helps more people to see the book. Plus, whenever someone buys a book through Amazon, the algorithms send that out through the system and populate other people’s recommendation lists with the book. So if you buy say, A Game of Thrones book and The Dead Hamlets, then The Dead Hamlets will show up for other people who go looking to buy A Game of Thrones book. Or something like that — the Amazon system can be a bit of a mystery sometime.

You can always buy it from your local indie bookstore, too. They’re often the ones with the best selection, and they need support in these times more than ever.

The point is buying a book from a retailer helps me way more than buying a book from me in person does. This will be especially important when it comes time to publish the third book in the Cross series.

Wherever and however you find The Dead Hamlets, I hope you enjoy it. If you do like it, please consider giving it a shoutout on social media or a review on Goodreads, etc. That sort of thing really does help book sales.

Thanks for reading!

The Dead Hamlets is featured on The Hook

I had the distinct pleasure of kicking off The Hook, a new guest post feature on Alex Shvartsman’s site. Alex is the author of Explaining Cthulhu to Grandma, which is perhaps the best title for a book ever. And it’s only $5 and change on Kindle! Why are you still reading this and not buying the book?

Anyway, Alex just launched The Hook, which lets writers explain why they opened their books the way they did. So click the link to find out why I began The Dead Hamlets on a dark and stormy night!

Thanks, Alex!

There’s a long tradition of dark and stormy nights in the theatre — lots of blackouts and thunder sound effects. The first stage directions of Macbeth, for instance, are “Thunder and lightning.” So I was hinting at the subject matter of my book in its opening lines. Shortly after that initial scene, I have Cross stumble into a theatre full of the dead — at which point things really get dark and stormy!

What I learned about writing from a church

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Today I’m over at Kate Heartfield’s site as part of her Unlikely Influences on writing series. I reveal what I learned about writing from the Gaudi church. It’s one of my favourite places in the world and I can’t wait to go back there again.

The spirit of wild imagination and utter audacity of La Sagrada Familia, as well as its mashup of architectural traditions, gave me the imaginative framework for my book. The history of the church helped me to flesh out the character of Cross. The church has existed through several eras of history, just as he has. It’s been in a constant state of reinvention and evolution, just like he has. It combines different architectural styles, just as I do with literary styles in the book: noir, urban fantasy, historical fantasy, literary fiction, and probably some others I’ve forgotten.

Oh, my bookish ways

Hey, I’m interviewed over at My Bookish Ways. It’s one of my favourite sites, so I was pretty happy to wind up there. I talk about how my new novel came to be, reveal how I dealt with writing about Shakespeare (turn him into a wizard, of course!), and give shoutouts to some of my favourite writers. Bonus feature: If you live in the U.S., you can win a copy of The Dead Hamlets.

I asked myself what I would do if I was immortal, and that’s how Cross became a drunken, thieving, self-loathing liar with murderous tendencies who tries to do right by his friends.