Category Archives: The Writing Life
The Write Life: You need a second brain
If there’s one thing every writer needs, it’s a second brain.
No, I don’t mean a brain in a jar — although I’m sure there are some writers out there who have just such a thing decorating their office. Hey, no judgement from me.
I mean an external system for collecting and organizing all the information in your life — in other words, the things your real brain isn’t that great at remembering. Like editor’s notes and deadlines. In the past maybe that was post-it notes decorating every inch of the walls of your writing space like some mad person arguing with imaginary people — aka a writer. Or perhaps it was something more sane, like a commonplace book. These days, for better or worse, it tends to be an app.
Why do you need a second brain when the whole point of writing is to create something out of your imagination? Because it’s nearly impossible to keep track of every idea and element that goes into creating a written work without it. How many scribbled notes to yourself have you forgotten in a pocket or lost on transit, to be found by some other aspiring writer who will then turn it into a bestseller? How many inspiring articles have you emailed to yourself only to lose them somewhere in the depths of your inbox, where a Lovecraftian AI is slowly using them to achieve sentience? How many times have you forgotten what happens next in the outline of your story when those imaginary people refuse to do what you tell them? Our real brains are great at processing information — oh no, here comes a horde of zombies! — but not so good at retaining it. Cue the second brain.
Thankfully, there are a number of apps out there that are of immense value to writers and other people with more productive lives. I use Notion to create mini-wikis for my writing projects where I collect ideas, outlines, character profiles, settings, general notes, divine/infernal visions and so on. I also use it to organize my reading lists and keep track of my publications — published, pending, in progress, weird monstrosities, etc. Notion has a very simple and clean interface but is infinitely customizable once you get the hang of it, which I am sure to do one day. Other writers use Ulysses or Scrivener, while more generalist apps such as Evernote, Asana and Obsidian can also serve well as second brains (although they lack the literary names of the others I mentioned).
It doesn’t matter what system you use as long as you develop a second brain to help keep yourself organized. Your real brain will thank you once it realizes it no longer has to futilely attempt to keep track of things and can now focus on creating. And procrastinating.
And yes, I originally created this post in my second brain.
Another day, another pirated-books database

The Atlantic has created another search tool to reveal what pirated texts Meta used to train its AI, and once again many of my works appear, including Has the World Ended Yet? and several of my Azrael the Angel Gunslinger stories published in Beneath Ceaseless Skies.
This is incredibly frustrating as I suspect a company like Meta could certainly afford to pay licensing fees to use works rather than rip off creators (struggling or successful). But as The Atlantic makes clear, the use of pirated works was approved at the highest levels of Meta.
Hopefully there will be some legal action that addresses this scandal. In the meantime, if your AI seems fascinated with homicidal angels and has an unnatural obsession with supernatural six shooters, then you know who to blame.
PLR program an investment in Canadian culture

I’m so incredibly grateful to have received my latest payment from the Canada Council’s Public Lending Right program, which compensates Canadian authors for libraries providing free public access to their books. There are many reasons I love the PLR:
- I love libraries!
- The PLR payment helps keep me writing!
- I believe strongly in supporting Canadian writers!
The last point is probably the most important one in these challenging times. The PLR program is about more than just compensating writers. It’s an investment in the future of Canadian culture in many, many different forms. Each one of those payments helps a writer to buy time to create new works and add to the rich cultural history of this country. At a time when the very future of Canada seems at stake, you can’t put a price on this sort of support.
So thanks, PLR and Canada Council! And thanks to all of you who have bought my books and others from Canadian writers!
Don’t Quill the Messenger interview

My interview with Don’t Quill the Messenger is now live. It was a great conversation about my book The Dead Hamlets, who really wrote Shakespeare’s plays and the power of theatre. (Direct link: https://www.dragonwagonradio.com/dontquillthemessenger/2024/12/28/the-dead-hamlets)
A conversation on the writing life with Michelle Berry

When I was a young writer in Toronto, Michelle Berry was very much one of the authors that inspired me. She writes fantastic, weird fiction set in a world that is all too familiar, she’s prolific as hell, and she’s an all-around lovely person. She was kind enough to mentor me a bit, and I’ll be forever grateful for that.
So I was delighted to be able to have a conversation with her now about the writing life, secret tricks of the trade and the importance of community. Check it out today — and check out Michelle’s latest book, Satellite Image! (I also mentioned Satellite Image in my August edition of the Bibliofiles.)
What happened next

I recently had a great conversation with writer Nathan Whitlock on the What Happened Next podcast about the writing life, crises of faith, the madness of the pandemic and my new Cross books. Link is here or listen on your podcast app of choice.
No ghost in the machine?
I recently checked to see if any of my books were included in the books data set used to train AI systems and found The Mona Lisa Sacrifice and The Apocalypse Ark — Books 1 and 3 of my Cross series of supernatural thrillers. Book 2, The Dead Hamlets, was not included. I don’t quite know how I’m supposed to feel about that. Pleased? Irritated? The tale of Cross battling an order of renegade angels to free the gorgon Mona Lisa from their imprisonment is good enough? As is the tale of Cross desperately trying to stop the mad creature Noah from ending the world with his eerie ark at the Sunken City? But the tale of Cross becoming trapped in a ghost story featuring the original Hamlet ghost isn’t good enough for an AI?
I know I should probably have an opinion on whether or not books should be used in this manner, and I do: authors should be consulted on how their works are adapted or used and compensated appropriately. Without those basic rights, it’s a lot harder for authors to be able to keep creating the works we do. But I’m also too exhausted to say much else about it because, well, 2023.
And if the AIs run amok and try to end the world I’m really sorry about that….
The good news is that if the world doesn’t end the Cross books will be republished in 2024 with Wolsak and Wynn! Hopefully they’ll find some new human readers.
(Thanks to George Murray for the reminder about the data set. He has some thoughts about the whole issue in a recent Walrus article that is worth checking out.)
It’s PLR time again!

Writers all across Canada are celebrating the arrival of PLR payments — and I’m one of those writers.
Being a writer can be challenging at times, as most writers typically earn poverty wages from years of creative effort. Thankfully there are programs like the Public Lending Right Program, which sends yearly payments to creators whose works can be found in public libraries across Canada. The formula used to calculate payments varies a little, but let’s just say it’s a lifeline for Canadian authors.
The PLR payments are important for a few reasons. They a crucial form of compensation for authors to receive payment for books they’ve already written and others get to enjoy for free, courtesy of our great library system. So it’s a win-win scenario – the public gets free library books AND the authors get compensated.
But the PLR payments are more than just compensation. They are also an investment. Those cheques that get sent out every February help writers across the country keep writing — they’re both a boost to the bank account and a boost to morale. As such, they’re part of an ecosystem of cultural support that includes other funding programs — Canada Council awards, regional funding programs, Access Copyright and so on. All these critical supports help pay the bills so writers can keep doing what they do best — write. And they remind writers they are in fact valued creators and people want to see their next creations.
I’m one of those creators, for I’m not sure I would have published six books to date without such support — that’s my most recent book, Has the World Ended Yet?, in the photo. The arrival of another PLR payment in the mail helps me pay some bills, and that’s great. But more important than that, it makes me want to sit back down at my desk and do one thing: write.
Thank you to all those at PLR and the other cultural programs — and a very special thanks to all the readers across this wonderful country. You are what this is all about.
Ottawa has its share of characters….
I did a Six Questions interview with rob mclennan for Chaudiere Books about how Ottawa influenced my writing career. I only lived in Ottawa for a couple of years, but it’s still one of my favourite places in the world, and I think it’s still affecting my literary life in quiet ways.
I think the real thing that Ottawa has to offer is its culture. There’s just so much happening in Ottawa given it’s the nation’s capital and all. Every second person you encounter is a creator of some sort of another, and there are so many cultural industries where you can have a meaningful career. Ottawa is a place filled with people who recognize that culture is just as important to our society as health care or universities or spirituality or you name it. There’s probably an argument to be made that culture intersects with all of these things….
I should point out the interview took place before all the recent excitement in Ottawa, which introduced a whole new set of characters to the city….








