Category Archives: Journal

Words

Many years ago, I walked through a snowstorm one night in London, Ontario, to knock on a stranger’s door. The young man on the other side opened the door and looked me up and down. I think my shoes were covered in ice. I think my whole body was encrusted in ice, in fact. I was wearing a jean jacket and hoodie because I couldn’t afford a proper winter jacket.

“I’m here for the writing group,” I said, or words something to that effect.

I was a first year university student, splitting my time between taking English classes at the University of Western Ontario and working the night shift in an IGA grocery store. I’d gone back to school after a few years of working dead-end jobs (the night shift was actually the highlight, believe it or not) because I knew I had to do something to help realize my lifelong dream of being a writer. I worked all night filling shelves with Cheez Whiz, although somehow never enough Cheez Whiz — we always sold out. Always. When I was done my night shift, I hopped on the bus and went to Western, where I took English Lit classes because they didn’t have a creative writing degree. Sometimes I fell asleep in those classes. I really wanted to follow that dream, remember.

During one of my visits to the hallowed halls of the university, I noticed a poster on a wall advertising the meeting of a creative writing group. I can’t recall now if it had a number or an address or what on it, but somehow I found myself in that snowstorm, knocking on that door.

My life was a storm of other sorts back then: divorce, depression, loneliness, poverty — you name it, I had it. The only thing I had going for me was that dream of writing and of maybe publishing stories and books one day.

The man who opened the door and let me into the warmth and sanctuary of his home was Paul Vermeersch, a fellow Western student and an aspiring poet. He warmed me up with hot chocolate and cheered me with conversation, and eventually a few other people arrived and we had some sort of meeting.

I can’t recall too many details of that first meeting, as I was half-frozen and hoping Paul wasn’t a killer who advertised for his victims in universities. But I recall many of the moments from our long friendship that began that night. The numerous other meetings we had as we grew that little writing group and formed wonderful, deep and lasting relationships with other aspiring writers, such as Jonathan Bennett. The basement arts office we hung out in, the walls of which we covered in our favourite literary quotes — “Poor Grendel has had an accident.” The basement apartment we shared when we lived together in Toronto. The IV Lounge Reading Series we ran together for a time in Toronto, although Paul was really the driving force of that. The other writers’ book launches we went to, and then our own book launches, as we both realized our dreams of becoming writers. (I should have dreamed of something more lucrative, damn it!) When Paul let me into his home that night, he saved me from more than one storm.

I’ve kept in touch with Paul even though I live on the West Coast now, and he still remains one of my dearest friends. So I was delighted when he became an editor at Wolsak & Wynn and asked me if I wanted to publish with them. How could I say no to that? It’s the sort of thing that would have been unimaginable to me when I knocked on that door during that snowstorm all those years ago. And it was exactly the sort of thing I’d been dreaming about all my life.

So I’m happy to announce that I’ll be publishing a collection of short stories with Wolsak & Wynn in the fall of 2017. It’s called Has the World Ended Yet? and that’s all I’m going to say about it for now.

Here’s to dark and stormy nights.

Walking in a winter wonderland

Screen Shot 2016-01-09 at 9.15.35 PM

Well, this is as close as it gets to winter where I live, anyway.

It’s Moby Dick weekend!

FullSizeRender

Moby Dick by Herman Melville is one of those books I’ve had a love-hate relationship with since I read it the first time, back in an American Lit university course. To be honest, I was baffled by the book after that initial encounter. If you’ve read it, I’m sure you’ll understand. If you haven’t read it, let’s just say it’s a work of eccentric genius.

Moby Dick has some of the most memorable scenes in literature for me, and I can see its influence everywhere — Cormac McCarthy’s Blood Meridian leaps to mind first. Moby Dick is a thing of sublime beauty that tells a simple yet incredibly compelling story. It’s also a completely batshit crazy book that breaks all the rules of writing and publishing and veers into textual madness at times. It marked a trend for Melville’s later books, which faced an uneven reception to their literary experimentation — see the headline “Herman Melville Crazy,” for example.

I’ve read Moby Dick a number of times since that first encounter, and I’m not sure I understand it any better now. That’s kind of the point of the book, though — or one of its points, anyway. Ahab is consumed by his quest to master the whale, which remains throughout an incomprehensible force to him and the others. You have as much luck truly understanding the book as Ahab does of besting the white whale.

I do appreciate the beauty of the book, though, and its incredible imagery and masterful scene construction were much in my mind when writing my latest Cross book, The Apocalypse Ark (ah, here’s where we getting to things). I wanted to capture Moby Dick’s sense of something vast and mysterious lurking just under the surface of our world — I guess it will be up to readers to decide if I succeeded or not.

I was also inspired by Melville’s bravery and risk-taking in publishing what you could call an unusual text. Often, writers are influenced more by market trends and sales numbers — “Hey, maybe I should put a steampunk vampire romance in this book….” Sometimes you have to remind yourself of the chances other writers have taken, of the commitment they’ve had to their vision, before you can truly commit to your own crazy vision. And I do think the vision I had for The Apocalypse Ark was crazy — it’s batshit crazy in the same spirit as Moby Dick, although I would never make claims about being equal to that book in any other capacity. “Peter Roman: Crazy as Melville!”

Anyway, this is all a long-winded post about the fact that it’s Moby Dick weekend — where people gather to read and watch others read aloud the entirety of Moby Dick, in a marathon event that’s as mad as Ahab. Check out the livestream, read along in your own copy, or just retweet your favourite lines.

That should be enough to hold you until The Apocalypse Ark comes out and you can see what I’ve done with Moby Dick and Herman Melville in my own peculiar telling of the tale.

Image is from Paul Vermeersch’s postcard art collection, but I supplied the caption.

 

 

I could have been a contender, I mean, professor!

I just received some more photos from my time at the Surrey International Writers Conference. Thanks to photographer Sandra Vander Schaaf for the great shots! I didn’t even see her taking these pics, so they’re nice candid moments from the conference. Check her out if you need some photos of your own — looks like she takes a pretty good author shot.

12356692_10153265069157217_1602756226872426350_o

I think this was from my dialogue class — that’s a little Ian Weir on the white board there.

12366207_10153265069202217_5720348338241418253_n

“Bueller? Bueller?”

12366002_10153265091742217_8639392592230972073_o

Doing the Blue Pencil stuff was a lot of fun. I think my advice here was “You can never have too many orcs!”

12370930_10153265091922217_8758030435680783181_o

“Have you thought about more orcs?”

12377656_10153265091912217_9153029531226574419_o

“I like what you’ve done with the orcs here. Now let’s talk about dragons.”

Will the real Mona Lisa please stand up?

Is there a secret Mona Lisa hidden away under the painting we all know? New scans show a different woman lurking underneath it. Of course, readers of The Mona Lisa Sacrifice may have a different theory….

Should be writing but…

  

  

It’s a gun world after all

When I wrote The Warhol Gang, I included a couple of “gun culture” scenes — one a corporate team-building event that takes place at a shooting theme park in the mall called Gun World, the other a Rampaging Office Co-Worker emergency drill.

At the time, I thought I was writing a satire or black comedy about American culture, and I worried I was going too far. I never really thought I was forecasting actual American culture. But then I read about things like Gun TV, and I realize I didn’t go far enough….

Don’t even get me started on the livestreaming and viral videos part of The Warhol Gang….

There had better be chocolate inside

  
It’s time to open my Short Story Advent Calendar! So literary it even has a hashtag: #ssac2015. 

Paris

I’ve only been to France once but it’s one of those places that left a mark on me. This is probably my favorite photo from that trip. I think it speaks to the moment and all those other moments in the country’s history and future.

image

My publisher just won two World Fantasy Awards!

Congrats to my publisher ChiZine Publications for winning not one but two World Fantasy Awards. ChiZine won best collection for Helen Marshall’s Gifts for the One Who Comes After (tying with Angela Slatter’s The Bitterwood Bible and Other Recountings from Tartarus Press). Publishers Brett Savory and Sandra Kasturi also won the Special Award – Professional, for all their achievements.

I went with ChiZine years ago with my Cross books because they’re a fearless, brilliant publisher who are willing to take chances that other publishers can not or will not take. They publish the books that are about vision, not marketing/bookstore niches — and better yet, they back them! If you’re connected with CZ on social media, you’ll see how much everyone there cares about the books they publish. As most writers know, that’s not often the case with publishers. So it’s great to see ChiZine get some love.

Now I’m off to ask them for a deadline extension….