Category Archives: Journal
Mama, don’t let your children grow up to be writers
There have been some interesting pieces circulating online recently about the writer’s life and selling books. It turns out authors aren’t automatically showered with money for their first book, which everybody in the country then goes on to read. Who knew?
NPR has an insightful article about the actual numbers of the books business — insightful and slightly depressing. “When it comes to book sales, what counts as success may surprise you” says that the vast majority of writers are essentially doing it as a hobby, as it’s nearly impossible to make a living as a writer these days. (Yes, yes, I know there are exceptions. But they are the exceptions, not the rule.) I say it’s only slightly depressing because most writers already know this.
“A sensational sale would be about 25,000 copies,” says literary agent Jane Dystel. “Even 15,000 would be a strong enough sale to get the publisher’s attention for the author for a second book.”
But if that second book doesn’t sell, says Dystel, odds are you won’t get another chance. And that brings us to the Authors Guild survey. Just over 1,400 full- and part-time writers took part in the survey, the Guild’s first since 2009. There has been a 30 percent decline in author income since then and more than half of the respondents earned less than $11,670 (the 2014 federal poverty level) from their writing related income.
I should point out that in Canada, 15,000 copies would be a sensational sale.
The Bookseller highlighted this issue in a story about the Man Booker long list, which revealed that some writers who made the long list have sold only a few hundred copies.
And author Kameron Hurley talked about numbers in her piece “The Cold Publishing Equations: Books Sold + Marketability + Love.” Hurley points out most books sell only a few hundred to a few thousand copies — and then those authors tend to get dropped by their publishers. Hurley says that as long as you’re writing and building an audience, then you’re doing OK as a writer.
The average book sells 3000 copies in its lifetime (Publishers Weekly, 2006).
Yes. It’s not missing a zero.
Take a breath and read that again.
But wait, there’s more!
The average traditionally published book which sells 3,000 in its entire lifetime in print only sells about 250-300 copies its first year.
But I’m going indie! you say. My odds are better!
No, grasshopper. Your odds are worse.
The average digital only author-published book sells 250 copies in its lifetime.
It’s not missing a zero.
It’s enough to get a writer down on the best of days, and it often does. But I like what Shawna Lemay says over on her Calm Things blog:
You don’t have to be a writer. No one is making you. You do it because you love it in some weird and fragile and cool angsty way. You do it because it reminds you why you are alive, and you want to share that with someone who might enjoy your odd and particular way of looking at the world.
I’ve had this conversation with a couple of my writer friends lately, about how for most of us, your book comes out and there’s a bit of fanfare, mainly the fanfare you drum up for yourself on social media etc. You launch your book and that’s always nice. Some people will buy it, say decent things at some point in the near future. You’re lucky if you get one good review, and not too many horrible ones. Actually, you’re lucky if anyone reviews you at all. So you’ll get a little self-created moment in the sun and within two to three weeks, your book is just another of the millions and billions of books out there floating around in the world. As “Polly” says, ‘almost all books tank.’ Which is totally fine.
As for me? Hey, I’m happy to be able to write and publish books for readers like you. It’s what I’ve always wanted to do, ever since I was a kid. Writing and telling stories is in my DNA. The number of copies sold, the money earned, all that stuff, it’s gravy and it’s nice when it happens. I was pretty thrilled when I became an Amazon bestseller! But it’s not why I write. I figure if I leave the world with one character or one story that people will remember, then all the hours at the keyboard and all the sacrifices will have been worth it.
Thanks for reading.
A welcome diversion
I’m happy to be reading the latest poetry from my pal George Murray. It’s a crazy little book, with poems made of the ceaseless babble of modernity’s data streams (here’s a teaser). They read like Facebook updates crossed with news headlines crossed with overheard conversations and all the rest of the cacophony of our daily lives. Only, you know, poetic. Plus, the quote on the back cover is from me!
Caffeine+cold pills=October
October will be a busy month for me, as I try to finish edits of the third Cross book, The Apocalypse Ark, before the publication date rolls around. I’ll be making a few appearances as well:
I’m moderating the Weird Fiction panel at the 2015 Vancouver Writers Fest. The panel will feature Kelly Link, Jeff VanderMeer, Neil Smith and Robert J. Wiersema. Wednesday, Oct. 21, 8:30 p.m. at Performance Works.
Later the same week I’ll be at the Surrey International Writers’ Conference.
Friday, Oct. 23, 10 a.m. – Are You Talking to Me?
Are you talking to me? Dialogue is one of the most important parts of any novel or story, but it’s often the most overlooked thing in writing. Too often dialogue between characters is just a mundane conversation to set up plot points or reveal information. Dialogue can be and should be so much more, though. Dialogue can be a weapon for characters, and it can create tension and surprise. It can create characters or conceal their true selves. It can even control the reader. Peter Darbyshire draws on his theatre background to help you bring your stories to life through dialogue.
Saturday, Oct. 24, 10 a.m. – Building Connections
With Jasper Fforde and Sarah Wendell, kc dyer moderating
How can you best use social media to make real connections with readers, colleagues, and friends without letting it take over your life? Our social media panel is here to help! This session is likely to be fast-moving and irreverent.
Sunday, Oct. 25, 11:30 a.m. – What’s Your Voice?
Voice is the most important part of any book. Do you write with the fallen angel lyricism of Raymond Chandler’s detectives? The storytelling magic of Annie Proulx? The pop culture playfulness of Cory Doctorow? Voice tells us what we need to know about the world of the book, who the characters are and what they want. Voice tells us what’s important to the writer — and that tells us what’s important to the reader. The hardest part of learning to write is finding your voice, but once you have it you’ve arrived. Let’s find your voice together.
I’d like to say I plan on sleeping in November, but I have a new book I need to be working on….
It’s like a book or something….
Staged car accidents? Corrupt cops? This news story may sound familiar to anyone who’s read The Warhol Gang. No word on whether or not it also involved secret clubs in the mall, though.
Doorways to awesomeness
I think I’ve talked a few times on this blog about how much Roger Zelazny‘s writing has meant to me. I don’t know how many times I’ve reread the Chronicles of Amber in my life — the only other books that come close are Steven Brust‘s Jhereg series, which have a similar feel. And maybe Lord of the Rings, which I read dozens of times in my early school years, although LOTR mostly has nostalgia value for me now. When I first started writing, I wanted to create unique, visionary worlds like Zelazny had, and I really wanted to blend genre fiction with literary style in the same manner. Not easy feats at all, as it turns out. But you do what you can.
I never expected to be compared to Zelazny, any more than I ever expected to be compared to Neil Gaiman. So it’s been a complete surprise and honour when that’s happened in reviews and such. And it was also a complete surprise and honour when a reader sent me a pic of two books she’d recently ordered — The Warhol Gang, which I wrote a few years back, and Doorways in the Sand, by Roger Zelazny. Thanks, Shara!
If my childhood self could see this pic, I think I know what he would say.
Cool!
Reimagine your world at the Vancouver Writers Fest
I’ve posted a piece about the Vancouver Writers Fest over at The Province. I’ll be moderating the Weird Fiction session starring Jeff VanderMeer, Kelly Link, Neil Smith and Robert J. Wiersema, and I’m already excitedly making notes. There are lots of other great panels — this year’s fest has more than 100 writers. In my latest Book Rogues podcast for The Province, I talk to VWF artistic director Hal Wake about the festivities.
But who will moderate me?
This should be fun. I’ll be moderating the Weird Fiction panel at this year’s Vancouver Writers Fest. Starring Kelly Link, Jeff Vandermeer, Neil Smith and Robert J. Wiersema. Here’s the official description:
Normally, “weird” is an insult, but not for these authors. “Weird fiction,” says Robert J. Wiersema, “isn’t so much a genre in itself as a stripping away and blurring of conventions to create something entirely new.” Jeff VanderMeer describes weird fiction this way: “Just as in real life, things don’t always quite add up… and in that space we discover some of the most powerful evocations of what it means to be human or inhuman.” In Kelly Link’s short stories, it’s perfectly fine to encounter two lovers who reunite after death in a nudist camp. Their deep human sentiment is true, even if all else is fecund imagination. Neil Smith’s debut novel delves into the minds of 13-year-olds in an afterlife. Come tour worlds slightly askew, guided by some of their creators.
Come and get your minds melted!
Can I have an amen?
Over at The Province, I talk to Victoria author Robert J. Wiersema about the writing life, literary tattoos and why he loves Buffy the Vampire Slayer so damned much. We also talk about his new novel, Black Feathers, which is his most Stephen King-like yet!
Set sail for the apocalypse
ChiZine recently revealed the cover for my new Cross novel, The Apocalypse Ark. I love all the covers of the Cross books, but this may be my favourite so far. I mean, tentacles rising from the mysteries of the deep!
You may also be wondering what The Apocalypse Ark is about. Fear not — ChiZine has also revealed the secret plot of my most crazed Cross book yet! Click through to learn the dark secrets of the ark.
(Warning: Clicking the link may result in madness, night sweats, possession by the Great Old Ones and a deep dissatisfaction with the Christmas season because The Apocalypse Ark is not on sale until spring.)













