Author Archives: Peter Darbyshire

Podcasting the Puppies

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I talked to Kristi Charish yesterday for my Book Rogues podcast at The Province. What did we talk about? The Sad Puppies controversy, of course. What else is there to talk about these days?

Ich bin ein Storm Crower

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Thanks to everyone for coming out to my reading at the Storm Crow the other night — especially the German film crew that randomly showed up. That’s Vancouver for you.

That was my last reading for a while but I’ll still be making a few appearances at conferences and such. Please check my Appearances page for updates.

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I’ve posted another update about the Sad Puppies thing over at The Province. This one is about writers withdrawing from the nominations. I’m trying to keep track of the major developments, but it’s become almost impossible to follow this thing. I feel for everybody involved. Wherever you stand on this, it’s not an easy situation. Carry on.

Keep the west weird

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Hell yeah! I’m thrilled to be part of the Ceaseless West weird west anthology with my first Angel Azrael story, “The Angel Azrael Rode Into the Town of Burnt Church of a Dead Horse.” Get a whole whack of six-gun strangeness for only $3.99 later this month. Just check out this table of contents:

A Feast for Dust • Gemma Files
The Angel Azrael Rode into the Town of Burnt Church on a Dead Horse • Peter Darbyshire
Mister Hadj’s Sunset Ride • Saladin Ahmed
Hangman • Erin Cashier
Bandit and the Seventy Raccoon War • Don Allmon
The Good Deaths, Part II • Angela Ambroz
Between Two Treasons • Michael J. DeLuca
Splitskin • E. Catherine Tobler
The Sixth Day • Sylvia Anna Hivén
Enginesong • Nathaniel Lee
The Crooked Mile • Dan Rabarts
Walking Still • C.T. Hutt
The Heart of the Rail • Mark Teppo
The Judge’s Right Hand • J.S. Bangs
Not the Worst of Sins • Alan Baxter
Songdogs • Ian McHugh
Haxan • Kenneth Mark Hoover
Pale • Kathryn Allen

I said “book rouge” but they misheard me

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I’ve launched a new books podcast over at The Province. First up, Kristi Charish of Owl and the Japanese Circus fame. Read the blog! Listen to the podcast! Pine for the video!

Reading is coming

Hey, just a reminder I’ll be reading at the Storm Crow Tavern next Thursday, April 16. I’m supposed to be reading from my latest book, The Dead Hamlets, but I may read from my new Cross book, The Apocalypse Ark, due out next spring. Hope to see you there! Details are as follows:

Vancouver launch
Storm Crow Tavern
1305 Commercial Drive
Vancouver, BC
Thursday, April 16, 7 p.m.
Facebook event

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In between writing those posts about the Sad Hugo Puppies, I did manage to write about something truly important over at The Province: Deadpool is filming in Vancouver! Of course, I treat the subject with the utmost professionalism and respect.

More about that Sad Puppies thing….

I posted earlier about how I don’t really have an opinion about the Sad Puppies Hugo controversy. It’s bad enough my kids want puppies…. However, it is a good news story and I work for a newspaper, so I wrote up a column about it. The whole thing is starting to get a bit crazy, with George R.R. Martin weighing in on matters now at his Livejournal:

Perhaps most damaging to the Sad Puppies cause has been George R.R. Martin, author of the Game of Thrones series, speaking out against them in a series of ongoing Livejournal posts. “I think the Sad Puppies have broken the Hugo Awards, and I am not sure they can ever be repaired,” he said in the first post. In a second post, he added, “they seem to want to take the Hugos and turn them into their own awards.” This will no doubt enrage Martin fans who think he should be finishing his latest book rather than posting on Livejournal.

Hear me blather on about things I know nothing about

If you like podcast interviews, I recently talked to Joel Mark Harris about my Cross books, self-publishing, the future of newspapers, blog tours, and so much more! Check it out!

My opinion on the Hugo Awards Sad Puppies controversy is…

Actually, I don’t have an opinion on the controversy.

To me, the idea of trying to determine the “best” book/story/whatever of the year is ridiculous. My best will be different from your best, and our favourite reads/games/shows will likely be different from Larry Correia’s and John Scalzi’s and every other person who weighs in with an opinion. Is Jim Butcher’s Skin Game a better Hugo nominee than, say, William Gibson’s The Peripheral? To some people yes, to some people no. It’s all a manner of opinion.

Or rather, it’s all a matter of a popularity contest. It’s no secret that awards of this sort that are judged by vote are usually just popularity contests — they’re generally about who can mobilize a fan base or at least voting bloc the best. This year, it was the Sad Puppies campaign run by Brad Torgersen. Or maybe it was the Rabid Puppies run by Vox Day. It’s still a little unclear as to which group was actually the one that managed the Hugos sweep. How successful they will be in the final awards depends on the level of organization of their opponents. Will the anti-Puppies bloc defeat the Sad Puppies bloc? The campaigns continue even as I write this.

I should point out that juried awards are little better, as they generally reward books which are most in line with the juries’ own aesthetic tastes or are simple compromises between warring jury members — hardly a way to determine the “best” of anything. I’ve been part of enough juries or known enough jurors in other contests to know how it works.

The sad thing is that awards such as the Hugos are meant to celebrate but far more often divide. Let’s face it: no one generally cares what other people are reading. I doubt John Scalzi gives much thought to what Larry Correia is reading and vice versa. Why would they? It doesn’t matter. But as soon as you try to decide what is “best,” then it suddenly becomes personal. Readers get upset when their favourites are seen as marginalized or unimportant — or worse, when something they don’t like is actively praised as being better than the works they do like. And suddenly an award that is meant to celebrate triggers an online war that spreads lot of divisiveness and hate.

Of course, much of this is caused by writers who either lobby to get their own works awarded prizes or who are pissed off because their own works never get awarded prizes. They mobilize their fan bases, and here we are.

Personally, I think we’d be better off without awards. Fandom would be a much calmer and likely healthier place. But that’s not going to happen. The Hugo will not be scrapped in our lifetime, although it may slip into irrelevance, like many other awards (some would say it went that way a long time ago). And the sad truth is awards sometimes come with a financial benefit to writers that matters very much. The Hugos don’t have much of a sales boost, but they do have a boost. And other awards, such as the Giller or the Booker or even the Governor General’s Award make a huge difference to artists’ ability to keep on creating. So awards matter even if we don’t want them to.

So what’s to be done? I think the only option is to not care about them. Or at least use the furor for entertainment value. I think the Hugo brouhaha is meaningless but it is a compelling soap opera. Read and view what you want and don’t worry about what’s best. Worry about what’s best for you.

And if you’re a creator and you win an award, great. Congratulations! Feel good about it and soak it for all it’s worth. But don’t let it get to your head, because it doesn’t mean anything.

In case anyone thinks this is a case of sour grapes, I’ll point out I’ve won a few nice awards, some that come with money, others with honour. I’ve been delighted to win in each case, but I’ve always said all they mean is a certain group of people in a certain block of time happened to like my works a little more than the other works they’d read recently. I’m thankful for that, because it means my writing connected with readers. And that’s what it’s all really about.