Author Archives: Peter Darbyshire

I interview the writer mistaken for Stephen King

A few years back, Stephen King put out a book called Joyland. As it turns out, another writer I know, Emily Schultz, also had a novel called Joyland. When King published his book, people started buying her book, thinking it was the same one. Hilarity ensued in Amazon reviews. Now Emily has created a blog chronicling how she’s spending the Stephen King money. I talked to her about the whole bizarre experience over at The Province.

Then horror writer Stephen King published a novel called Joyland, and Schultz’s life went a little crazy. Readers started buying her Joyland novel, thinking it was King’s new book. Joyland’s publisher, ECW, contacted Schultz to let her know her book had suddenly sold 200 copies. “It was exciting for about 60 seconds,” Schultz says, “then I realized, uh-oh, there will probably be some angry readers out there! Sure enough, the one-star reviews started piling up on Amazon.”

The never-ending story

A few posts back I wrote about how I thought the third Cross book only needed about one more writethrough before I could send it to my agent. Famous last words and all that. When I was working on what I thought to be the last writethrough, rushing to get it done before the edits for the second Cross book arrive, I realized the book would be so much better if I just tweaked a couple of flashbacks, which led me to move around some of the plot elements, which then led me to write some more background for a couple of the characters… you get the idea.

Anyway, I finished that draft today. Now I think it only needs one more draft before I can send it off the agent….

Why YA?

Lots of people have been arguing online about whether or not adults should read YA books, so I decided to chime in over at The Province.

Admit it. You’ve done it. You’ve read a YA book and you liked it.

That’s YA as in young adult. And the odds are that if you’re reading this, you’re a fully grown adult. Maybe even a senior citizen.

So why are you reading books meant for teens?

We’re all lifetime members of Gun World now

Back when I wrote The Warhol Gang, I sometimes wondered if maybe I was going over the top with some of my scenes. In particular, I worried the Gun World amusement park was maybe too much. This was before everyone was trying to turn the entire country of America itself into a Gun World theme park.

The Warhol Gang — dark vision of a dystopian future? Or a quaint alternative history of more innocent times? You tell me.

Here’s a scene from Gun World if you haven’t read the book:

 

___________________

 

Nickel takes everyone in the office on a corporate retreat for the day. We go to Gun World, an indoor shooting environment in the mall. It has theme ranges, where you can shoot at video targets projected on the walls, and a special counter where you can rent all the guns from the latest movies. At the checkout, Nickel tells us we can shoot as many people as we want but the company is paying for the first three clips of ammo only.

I rent a handgun that the clerk tells me is the hottest thing in all the music videos right now, and then I go into the Inner City Warfare range. Reagan’s already there. He’s got an assault rifle.

The video on the other wall shows a bank robbery in progress. Cops hide behind parked cars while gunmen in body armour drag hostages down the street. I didn’t know you could rent assault rifles. Now I want an assault rifle.

Reagan sprays the wall on full-auto, emptying his clip without aiming. The screen flashes red where the bullets hit people.

“You’re killing innocent people,” I point out.

“What do you mean, ‘innocent’?” Reagan asks, reloading.

“You know, people like us,” I say.

Reagan just looks at me and then empties the new clip into a taxi full of screaming women.

I consider going back to the rental counter to exchange the handgun for an assault rifle, but the video might be over by the time I return. I settle for shooting at people watching the street battle from office windows overhead, but I can’t seem to hit any of them.

“There’s something I’ve been meaning to ask you,” I say to Reagan.

He reloads again and opens fire on a traffic helicopter. “I wish I could do this in real life,” he says.

“They’d kill you,” I say.

He just nods.

“What do you think I’m worth?” I ask him.

He looks at me and then back at his gun. “I’m not really sure where you’re going with this,” he says, “but I’m not interested in workplace relationships.”

“I meant insurance-wise,” I say. “Isn’t that what you did in your old job? Figured out what people were worth?”

Reagan looks for a new clip in his bag on the floor, but it’s empty now. He sighs. “It depends on how you die,” he says.

“How do most people die?” I ask him.

On the screen, a gunman executes a man in a suit and tie with a shot to the back of the head.

“Let’s say you’re on your way to the office,” Reagan says. “You take a revolving door in the mall. Only your tie gets caught in the frame as you exit. A faulty seal on the door. We later find out mall maintenance is aware of the problem but has done nothing to repair it. The door spins at high speed as the woman behind you is rushing through. She’s late for work. Your head is jerked to the side. Your neck is broken.”

“Do people really die like that?” I ask.

“Every day,” Reagan says.

“That’s tragic,” I say.

“That’s a statistic,” Reagan says.

I shake my head. “Never mind. So what am I worth?”

“I’d say a million dollars base for the incident,” Reagan says. “Not too hard to get given the negligence.”

“I’m a millionaire,” I say. I fire several shots at a woman in a business suit trying to hide behind a flower stand. The screen finally flashes red for me. She keeps shrieking after I shoot her, but I don’t care. I know I’ve killed her. I can kill them all. I’m in charge here.

“It’s a quick death,” Reagan says, “which is unfortunate. If you’d burned or died in some other way where people had to listen to you scream, then you could have earned double that. Suffering always pays.”

“Still, a million dollars,” I say.

“Do you have family?” Reagan asks. “A wife? Kids? Anything?”

“There’s no one,” I say. I fire more shots at a UPS driver running from a building to his truck and the screen flashes red again. The UPS driver gets into the truck and drives off anyway.

“Do you do anything charitable?” Reagan asks. “Coach baseball? Feed AIDS victims on their deathbeds? Help blind people get home?”

“This is it,” I say, gesturing at the shooting range.

“So what we see at work is what we get,” Reagan says.

“A million dollars,” I say again. I shoot the woman behind the flower stand some more.

“Break it down,” Reagan says. “That works out to around fifty thousand a year over a standard twenty-year career.”

“I could live on that,” I say.

“You’re dead,” Reagan reminds me. “Anyway, statistics indicate most men live about a decade after their career life, so the number’s more like thirty-three thousand and change. Which works out to about twenty-seven hundred a month. Let’s say seven hundred a week. A hundred a day. Four dollars and change an hour. Seven cents a minute. A little over a cent every ten seconds. Almost nothing a second.”

I consider the math and don’t say anything. I try to shoot a man with headphones who comes out of a Starbucks without seeming to notice the mayhem on the street. But the handgun is out of ammo.

Reagan reaches down for a shell casing on the floor.

“This is it,” he says, holding up the casing. “This is what your life is worth.”

 

I forgot the doors! My characters are trapped!

A couple of days ago I finished the third draft of the third Cross book, which is coming along. I think it needs about one more draft and then it will be ready to send off to the agent for notes. And then we’ll see.

Someone asked me about my writing process recently, and I didn’t really have a good answer. I’ve been thinking about it since, and I’ve finally decided it’s kind of like building a house. The first draft is excavating the blank page and putting in the foundation. The second draft is installing the plumbing and electrical and all that. The third draft is throwing up the drywall. The drafts that follow are the painting and otherwise getting it ready for a reader to move into and feel at home.

Editors? They’re the inspectors. Reviewers? They’re the repairmen.

Of course, I’ve never built a house, so what do I know? I’m just hoping I don’t burn down the whole neighbourhood.

War is coming to sci-fi and fantasy fandom

So I wrote a quick overview of the Hugo Awards controversy this year for The Province. It’s really the sort of crazy situation that would need a novel to adequately cover, but who has time for novels these days?

The catalyst for the conflict was the announcement of the Hugo shortlists, which included a couple of expected nominees — Ann Leckie’s Ancillary Justice and Charles Stross’s Neptune’s Brood for best novel — but also a number of highly controversial and perhaps unexpected selections (or perhaps not, depending on who you talk to). Larry Correia made the best novel list for his book Warbound, Book III of the Grimnoir Chronicles, as did Robert Jordan and Brandon Sanderson for the entire Wheel of Time fantasy series. That’s right, an entire series stretching back many years is nominated for best novel of the year. It’s one of those technicality things. To top things off, controversial writer Vox Day was nominated in the best novelette category, enraging many in the sci-fi community who have battled with him online.

Writing through the train crashes

I’ve been sick for, oh, a month or so now thanks to the latest bug my son brought home for preschool. I think I’m almost over it, though, which means it’s time for him to bring a new bug home.

At least I’ve managed to do some writing, in between surfing various blogs detailing the Hugo Awards brouhaha. It’s like a train wreck with new trains coming along and crashing into it every few minutes. I keep thinking I should write a newspaper piece about it but I don’t even know where to start.

Anyways. The writing. I’ve finished a new Azrael story, tentatively titled “The Angel Azrael Is Sacrificed to the Snake God.” I wrote it with an Azrael collection in mind, and I think I’ve got about 30,000 words of Azrael stories now, which is about half a book for me. (Most of my books start out around 60,000 words and then grow to 70,000 or 80,000 in the editing process.) So that’s something.

All right, now I’m going to curl up with some Neo-Citran and watch some more trains crash.

Of patrons and Patreon

I just became a supporter of Vancouver writer Siliva Morena-Garcia on Patreon. I discovered Patreon recently and it’s pretty cool. It kind of works like Kickstarter, in that you pledge money to your favourite content creators. Rather than a one-time payment, though, you generally pledge a monthly payment to help your fave artist do their thing (although I think one-time payments are an option in certain cases). In return, you get access to the creator’s personal Patreon feed and various rewards. Here’s a video explaining how it works:

Here’s Silvia’s Patreon page. Check it out and pledge if you like what you see. Or check out some other creators using Patreon, like those crazy Postmodern Jukebox videos you’ve been seeing in your feeds or the Hijinks Ensue comics. Or, you know, make your own Patreon page and throw out a tip dish.

Wait a minute, let me get my popcorn

The nominees for the 2014 Hugo Awards have been announced, and I’m delighted to see Beneath Ceaseless Skies up for Best SemiProZine (Semiprozine? SemiproZine?). I love BCS, and not just because a few of my Angel Azrael gunslinger stories have appeared there. It’s a fine, fine magazine that champions literary fantasy, sic-fi and all sorts of speculative fiction (or just good writing, if you’re not concerned about categories). Or, as the BCS site puts it, “adventure fantasy plots in vivid secondary worlds, but written with a literary flair.” It’s the sort of magazine I think we need more of.

Of course, the Hugos being the Hugos, there is controversy about the list of nominees. I don’t really have anything to say about it myself — it’s the way of awards, after all — but if you’re interested in following the discussion, you can read more at John Scalzi’s Whatever or Larry Correia’s Monster Hunter Nation to get the basic idea of what’s going on and see who’s on what side, etc.

Although, really, your time would be better spent reading Beneath Ceaseless Skies.

He made readers care

I woke up this morning to find my feeds filled with the news that CanLit icon Alistair MacLeod had died. I didn’t really know the man myself — I’d only met him once in passing at a writers fest years ago — but I had taught some of his stories in university back in my grad school days. They were always the works that my students actually found themselves caring about, almost against their will (survey courses generally having a narcotic effect on undergrads). He was a writer who made people care, as is evident in the number of tributes being written about him even as I write this. He made a difference, and that is all we can ask of life.

Mark Medley has written a good summary of MacLeod’s life and legacy at the National Post, and Steven Galloway has penned a personal piece of his encounters with MacLeod for the Globe. Good reads all around.