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Happy World Theatre Day!

Happy World Theatre Day! I got my start in the arts working in theatre and I often miss those days. It’s what inspired my second Cross novel, The Dead Hamlets, which features theatre ghosts, Shakespearean spirits, mischievous faerie, an undead Christopher Marlowe and more.

Reflecting on the day, I realize many of the most magical moments in my lives have happened in theatres. Working on a production of Sondheim’s Sweeney Todd in London, Ont., where the music changed my very DNA; being caught in a storm in Shakespeare’s Antony and Cleopatra at the Barbican in England that was as real as any other despite it just being actors on a stage with ropes; remaining mystified to this day by enigmatic judges appearing out of nowhere in a production of Kafka’s The Trial in London, England; and so many more!

Theatre is one of the oldest art forms and continues to persist because it is perhaps the most social. Where else can we gather in a communal space and participate in the same shared imaginative experience? Where else is the audience so necessary to the artistic experience? There’s a creative energy or perhaps a creative relationship that takes place between the performers and the audience, where the space becomes alive with a new world that transcends our own if only temporarily.

Theatre is often a place for working out ideas in that community, from the ancient Greek tragedies and comedies to the present day. I’ll never forget the production of David Mamet’s Oleanna I saw at the Grand Theatre in London, Ont., where the audience engaged in a lively debate after the show about the merits of political correctness (this was before woke culture had emerged). Is this any different from, say, Lsysistrata by Aristophanes or The Doll House by Ibsen?

And theatre remains one of the most important areas for academic studies, not only because of its historical context but also because theatre has a strong history of formal experimentation and political messages.

The influence of theatre is seen on other mediums as well. While film has largely taken the place of theatre in our culture, it remains heavily influenced by theatre. And many of the most popular films are adaptations of plays. Stoppard’s Rosencrantz and Guildenstern Are Dead is a favourite film and play of many, including myself. Even the world of theatre often finds itself immortalized in film, such as Shakespeare in Love — which was sold out when I saw it the first time.

Much applause for all the theatre folk who bring magic to a world that desperately needs it. Join them in a theatre in your community and help create and experience that magic.

From inspiration to The Dead Hamlets

I had a wonderful time talking to Ruff Radio about my book The Dead Hamlets and all things theatre — Shakespeare, Christopher Marlowe, performance vs. text, representation, the creative process, Ur-Hamlets and more. I actually worked in theatre a little in the past, and The Dead Hamlets is very much a love letter to those days. Many thanks to Christine Horne of Shakespeare in the Ruff for her thoughtful questions and theatre insights! I’d appreciate it if you give the interview a listen.

Link: https://podcasters.spotify.com/pod/show/hello-ruff-radio/episodes/2024—Ep-10-From-Inspiration-to-The-Dead-Hamlets-with-Peter-Darbyshire-e2pq92v

Here’s a bit of background to The Dead Hamlets if you’re not familiar with the book:

Something is rotten in the court of the faerie queen. A deadly spirit is killing off the faerie, and it has mysterious ties to Shakespeare’s play, “Hamlet.” The only one who can stop it is the immortal Cross, a charming rogue who also happens to be a drunk, a thief, and an angel killer. He is no friend of the faerie since they stole his daughter and made her one of their own. When it appears she may be the next victim of the haunting, though, he must race against time to save her. He encounters an eccentric and deadly cast of characters along the way: the real Witches of Macbeth, the undead playwright/demon hunter Christopher Marlowe, an eerie Alice from the Alice in Wonderland books, a deranged and magical scholar – and a very supernatural William Shakespeare. When Cross discovers a startling secret about the origins of “Hamlet” itself, he finds himself trapped in a ghost story even he may not be able to escape alive!