I had a wonderful time talking to Ruff Radio about my book The Dead Hamlets and all things theatre — Shakespeare, Christopher Marlowe, performance vs. text, representation, the creative process, Ur-Hamlets and more. I actually worked in theatre a little in the past, and The Dead Hamlets is very much a love letter to those days. Many thanks to Christine Horne of Shakespeare in the Ruff for her thoughtful questions and theatre insights! I’d appreciate it if you give the interview a listen.

Link: https://podcasters.spotify.com/pod/show/hello-ruff-radio/episodes/2024—Ep-10-From-Inspiration-to-The-Dead-Hamlets-with-Peter-Darbyshire-e2pq92v

Here’s a bit of background to The Dead Hamlets if you’re not familiar with the book:

Something is rotten in the court of the faerie queen. A deadly spirit is killing off the faerie, and it has mysterious ties to Shakespeare’s play, “Hamlet.” The only one who can stop it is the immortal Cross, a charming rogue who also happens to be a drunk, a thief, and an angel killer. He is no friend of the faerie since they stole his daughter and made her one of their own. When it appears she may be the next victim of the haunting, though, he must race against time to save her. He encounters an eccentric and deadly cast of characters along the way: the real Witches of Macbeth, the undead playwright/demon hunter Christopher Marlowe, an eerie Alice from the Alice in Wonderland books, a deranged and magical scholar – and a very supernatural William Shakespeare. When Cross discovers a startling secret about the origins of “Hamlet” itself, he finds himself trapped in a ghost story even he may not be able to escape alive!